Around 2005, Hayes began to work on his third proper studio album. The sessions were spread between L.A., New York, Michigan, and Chicago and involved numerous musicians including
Brian Wilson's rhythm section and legendary
Chicago Blues and
Jazz drummer
Morris Jennings. Almost a year to the day of the belated UK release of Plush’s
Fed, Broken Horse Records announced the release of its follow up album,
Bright Penny. Although
Bright Penny appeared relatively quickly after the UK release of
Fed, its roots go as far back as the initial release and subsequent non-release of
Fed. Whilst dealing with the frustrations that accompanied this situation, and dealing with profound personal loss, Hayes managed to maintain his love of music and his craft of songwriting that had been at the centre of his life since he was a child. As recording began and the album’s track listing began to take shape by selecting songs both old and new from his expanding songbook, a narrative of hope, loss and the love of music began to emerge as the record’s theme. ”Music has defined me and it has always been there with me. I have had a lifelong relationship with it. It pretty much saved me when nothing else could. It has also, at points, pushed me close to the edge. That’s the kind of friend it is.” The idea of music being one’s greatest ally is explored in “ So Much Music”. Other songs such as “Take A Chance”, present a theme of self transformation, while “Look Up, Look Down” offers a picture of the struggle to survive.
Bright Penny was released in 2009. ==Current activities==