The Pianist (2002 film)

In September 1939, Polish-Jewish pianist Władysław Szpilman plays live on the radio in Warsaw when the station is besieged during Nazi Germany's bombing of Warsaw. Szpilman and his family prepare to leave the city when they learn that Britain and France have declared war on Germany. Relieved at the news, Szpilman stays in Warsaw with his family but with Poland’s invasion, Warsaw falls under Nazi occupation. Jews are persecuted by the new government, stripped of privileges and forced to wear blue Star of David armbands. Szpilman and his family sell their belongings, including his piano, in order to survive. The Szpilmans are forced to abandon their home in late 1940 into the overcrowded Warsaw Ghetto where disease and starvation are rampant, and under constant threat of brutality by the SS. Szpilman performs in a café frequented by upper-class Jews, who smuggle in forbidden goods to live comfortably. Szpilman witnesses a young boy savagely beaten by a guard and left for dead while attempting to escape the ghetto. The boy dies despite Szpilman's attempt to save him. Szpilman and his family also witness the SS raiding a nearby apartment, in which a wheelchair-bound man is thrown off the building, and killing the rest of the residents. Despite securing German work certificates, the Szpilmans are herded, with hundreds of other Jews, into a large outdoor train station area. They were told they were going to labor camps, but the train is actually headed to the Treblinka extermination camp in August 1942 as part of Operation Reinhard. Jewish Ghetto Police separates Szpilman from his family at the railhead, allowing him to escape while his family is taken to the death camp. Szpilman becomes a slave labourer and learns of an upcoming Warsaw Ghetto uprising. He smuggles weapons into the ghetto and goes into hiding with help from Andrzej Bogucki and his wife Janina Godlewska. Szpilman watches the uprising unfold and fail in April 1943. When a female neighbor attempts to report Szpilman, he travels to another hiding place in the German quarter from the husband of his friend Dorota. The new apartment has a piano which Szpilman refuses to play to prevent his identity from being discovered. Szpilman suffers from malnourishment and jaundice, and following a final visit from Dorota and her husband, they obtain a doctor to treat him. Szpilman recovers by August 1944 when he witnesses the Warsaw Uprising unfold. When the Home Army forces attack the Schutzpolizei hospital across the street from Szpilman's apartment building, German troops destroy the apartment with a tank in retaliation. Szpilman narrowly escapes and hides in the now abandoned hospital as Warsaw is destroyed in the fighting. When German troops later attack the hospital with flamethrowers, Szpilman flees through the city's ruins and is discovered by Wehrmacht officer Wilm Hosenfeld, who learns he is a pianist. When Szpilman plays Frédéric Chopin's "Ballade No. 1 in G minor" on the house's grand piano, the officer allows him to continue to hide in the house, providing him food. When the Germans retreat from the Soviet offensive in January 1945, Hosenfeld promises Szpilman he will listen to him on Polish Radio after the war and leaves him a large supply of food and his greatcoat. After Warsaw is liberated, Szpilman is attacked by Polish soldiers who mistake him for a German because of his coat. The soldiers eventually spare him. Hosenfeld is held after the war in a Soviet POW camp. When surviving concentration camp inmates abuse the prisoners, one laments his former career as a violinist. Hosenfeld asks if he knows Szpilman and the violinist promises to bring Szpilman as a character reference but when they return to the site, Hosenfeld and the camp are gone. Szpilman resumes his career, performing Chopin's "Grande polonaise" with an orchestra to a large, prestigious audience. ==Cast==

Development and casting The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer's barn until the war's end. His father almost died in the camps, but they reunited after the end of World War II. Joseph Fiennes was Polanski's first choice for the lead role, but he turned it down due to a previous commitment to a theatrical role. Over 1,400 actors auditioned for the role of Szpilman at a casting call in London, but Polanski was unsatisfied with all who tried. Eventually, Polanski watched ''Harrison's Flowers'' (2000), and then Polanski decided to offer Adrien Brody the leading role during their first meeting in Paris. Filming 's Praga-Północ district used for filming of The Pianist Principal photography on The Pianist began on 9 February 2001 in Babelsberg Studio in Potsdam, Germany. The Warsaw Ghetto and the surrounding city were recreated on the backlot of Babelsberg Studio as they would have looked during the war. Old Soviet Army barracks were used to create the ruined city, as they were going to be destroyed anyway. The first scenes of the film were shot at the old army barracks. Soon after, the film crew moved to a villa in Potsdam, which served as the house where Szpilman meets Hosenfeld. On 2 March 2001, filming then moved to an abandoned Soviet military hospital in Beelitz, Germany. The scenes that featured German soldiers destroying a Warsaw hospital with flamethrowers were filmed there. On 15 March, filming finally moved to Babelsberg Studios. The first scene shot at the studio was the complex and technically demanding scene in which Szpilman witnesses the ghetto uprising. Principal photography ended in July 2001, and was followed by months of post-production in Paris. ==Reception==

Critical response The Pianist was widely acclaimed by critics, with Brody's performance, Harwood's screenplay, and Polanski's direction receiving special praise. On Metacritic, the film has a weighted average score of 85 out of 100, based on 40 critics, indicating "universal acclaim". Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, noting that, "perhaps that impassive quality reflects what [director Roman] Polanski wants to say. ... By showing Szpilman as a survivor, but not a fighter or a hero—as a man who does all he can to save himself, but would have died without enormous good luck and the kindness of a few non-Jews—Polanski is reflecting ... his own deepest feelings: that he survived, but need not have, and that his mother died and left a wound that had never healed." Michael Wilmington of the Chicago Tribune said that the film "is the best dramatic feature I've seen on the Holocaust experience, so powerful a statement on war, inhumanity, and art's redemption that it may signal Polanski's artistic redemption". He later said that the film "illustrates that theme and proves that Polanski's own art has survived the chaos of his life—and the hell that war and bigotry once made of it". Richard Schickel of Time magazine called it a "raw, unblinkable film", and said that "we admire this film for its harsh objectivity and refusal to seek our tears, our sympathies." Mick LaSalle of the San Francisco Chronicle said that the film "contains moments of irony, of ambiguity, and of strange beauty, as when we finally get a look at Warsaw and see a panorama of destruction, a world of color bombed into black-and-white devastation". He also said that, "in the course of showing us a struggle for survival, in all its animal simplicity, Polanski also gives us humanity, in all its complexity." A.O. Scott of The New York Times said that Szpilman "comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty." He also felt that Szpilman's encounter, in the war's last days, with a music-loving German officer, "courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted". In 2025, it was one of the films voted for the "Readers' Choice" edition of The New York Times list of "The 100 Best Movies of the 21st Century," finishing at number 140. Accolades ==Home media==

The Pianist was released by Universal Studios Home Entertainment on DVD in the US on 27 May 2003 in a double-sided disc Special Edition, with the film on one side and the featurette "A Story of Survival" on the other. The making-of featurette included interviews with Brody, Polanski, and Harwood, and clips of Szpilman playing the piano. The Polish DVD included an audio commentary track by production designer Starski and director of photography Edelman. Universal released the film on HD-DVD on 8 January 2008 with the featurette "A Story of Survival". Optimum Home Entertainment released The Pianist to the European market on Blu-ray as part of their StudioCanal Collection on 13 September 2010, the film's second release on Blu-ray. The first release was troublesome due to issues with subtitles; the initial BD lacked subtitles for spoken German dialogue. Optimum later rectified this, but the initial release also lacked notable special features. The StudioCanal Collection version includes the featurette "A Story of Survival", as well as several interviews with the makers of the film and Szpilman's relatives. Shout! Factory released the film on Blu-ray in the US for the first time on 13 July 2021. The film was completely restored in 2023 from the original negative by StudioCanal and DI Factory, with the assistance of the film's cinematographer Paweł Edelman. It was released on 4K UHD by StudioCanal in Germany on 21 September 2023, in France on 27 September 2023 and in the United Kingdom on 2 October 2023. ==See also==