Liliane de Kermadec began as a set photographer, working with
Agnes Varda on
Cléo from 5 to 7,
Alain Resnais on
Muriel, and
Yves Robert on
Berbert and the Train.
Tim Palmer published an article, "Enraged to Live: Reviving Liliane de Kermadec’s
Aloïse," on de Kermadec's often obscured legacy, in the context of women's authorship and interventionist subtitling, in
French Screen Studies. == Filmography ==