school Traditionally, the limbo game began at the lowest possible bar height and the bar was gradually raised, signifying an emergence from death into life. In its adaptation to the world of entertainment, troupes began reversing the traditional order. According to a 1956 newspaper report, the game was revived in 1944 by
Edric Connor. It became a popular entertainment in Trinidad and was adopted as a physical fitness exercise by American troops. In the 1950s, choreographer and player Julia Edwards added a number of features that are now considered standard, such as human 'bars' formed by the limbs of other players and the use of fire in the performance of limbo. A film,
Julia and Joyce, by Trinidadian-American Sonja Dumas, was released in 2010. It traces the evolution of limbo dancing and the contribution of Edwards to its popularity. Limbo players generally move and respond to a number of specific
Afro-Caribbean drum patterns. As Limbo gained popularity as a tourist activity and a form of entertainment, pop music began using Caribbean rhythms to respond to the emerging craze in the United States. One example is the song "
Limbo Rock" (recorded by
Chubby Checker), which became a number 2 charted hit on the
Billboard Top 100, from which emerged the popular quote/chant that is associated with limbo which Checker also helped to popularize: "How low can you go?" Limbo was brought into the mainstream by Trinidadian Calypsonian
Brigo (Samuel Abrahams) with his popular
Soca song "Limbo Break". A version of the game is also popular in
skating rinks. Limbo is considered the unofficial national game of Trinidad and Tobago, which refers to itself as the land of limbo, steelpan (steel drums), and calypso. After a preparatory game, the player prepares and approaches the bar, lowering and leaning back their body while balancing on feet akimbo with knees extended backwards. The player is declared "out" and loses the contest if any part of the body touches the stick or pole that they are passing beneath, or if the hands touch the floor. When several players compete, they go under the stick in single-file; the stick is gradually lowered until only one player, who has not touched either the pole or the floor, remains. As Limbo spread out of Trinidad and Tobago to the wider world and the big screen, limbo became a major part of the tourism package in several other Caribbean islands, such as Barbados and Jamaica. In Jamaica, the trendy limbo music of the 1950s was often based on a
clave rhythm. It is also widely heard in Jamaican
mento recorded in the 1950s, in songs such as "Limbo" by Lord Tickler and Calypsonians, or "Limbo" by Denzil Laing & the Wrigglers, as well as many other songs not directly related to the limbo game itself. Limbo's continued significance in Trinidadian and Tobagonian culture ia clearly demonstrated in festivals and social events across the two islands, including performances by popular game troupes at the Prime Minister's Best Village Competition, and during the Carnival season in Trinidad and Tobago. When performing for tourists, professional limbo players often invite spectators to participate after their own presentation of the game. The massive popularity of limbo has emerged directly from this audience participation. In recent years, limbo dancing has been conducted as a social "
icebreaker" game for tourists at Caribbean and other
tropical resorts. The winning player often receives a prize. ==World record==