Since 1993 Brice has had over 20 solo exhibitions in South Africa and around Europe, and almost 100 group exhibitions around the world. In 2016
Duro Olowu included Brice in
Making and Unmaking exhibition at the
Camden Arts Centre in London. The following year
Salon 94 gallery in New York exhibited
Boundary Girl, an exhibition of large canvasses and small gouaches, the smaller works having been displayed earlier that year in London. In 2018 Brice exhibited at
Tate Britain as part of
Art Now, exhibitions for new and emerging artists. The work featured "recast female subjects from art historical paintings, photographs and the media into new environments, imbuing them with a newfound sense of self possession." Many of the paintings show the women rendered in a rich blue paint which echoes Brice's Trinidadian experiences of carnival, in which revellers known as 'blue devils' paint themselves blue for anonymity.
Art Now included two new paintings not previously exhibited, one based on
John Everett Millais'
Ophelia (painting) with Ophelia standing upright holding a cigarette, the other based on
Parting at Morning by
William Rothenstein with the emaciated model repainted, filled out, also smoking a cigarette. Her work is held in collections around the world, including the
Smithsonian National Museum of African Art,
Johannesburg Art Gallery,
The Whitworth, the
High Commission of South Africa, London and the private collection of
Sindika Dokolo. == References ==