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Lissajous curve

A Lissajous curve, also known as Lissajous figure or Bowditch curve, is the graph of a system of parametric equations

Examples
The animation shows the curve adaptation with continuously increasing fraction from 0 to 1 in steps of 0.01 (). Below are examples of Lissajous figures with an odd natural number , an even natural number , and . File:Lissajous curve 1by2.svg|, , (1:2) File:Lissajous curve 3by2.svg|, , (3:2) File:Lissajous curve 3by4.svg|, , (3:4) File:Lissajous curve 5by4.svg|, , (5:4) File:Lissajous relaciones.png|Lissajous figures: various frequency relations and phase differences. Aesthetically interesting Lissajous curves with a finite sum of the first 100, 1000 and 5000 prime number frequencies were calculated. ==Generation==
Generation
Prior to modern electronic equipment, Lissajous curves could be generated mechanically by means of a harmonograph. Acoustics John Tyndall produced Lissajous curves by attaching a small mirror to a tuning fork, and shining a bright light on the mirror. This produced a vertically oscillating bright dot. He then applied a rotating mirror to reflect the dot, producing a spread out curve. He used this technique as an analog oscilloscope to observe and quantify the oscillation patterns of a tuning fork. Later, Helmholtz produced a Lissajous curve as follows. He made an "oscillation microscope" by attaching one lens of a microscope to a tuning fork, so that it oscillated in one direction. He attached a bright dot of paint on a violin string. Then he viewed the dot through the microscope while the string vibrated in the other direction, and saw a Lissajous curve. This is called the "Helmholtz motion". Practical application Lissajous curves can also be generated using an oscilloscope (as illustrated). An octopus circuit can be used to demonstrate the waveform images on an oscilloscope. Two phase-shifted sinusoid inputs are applied to the oscilloscope in X-Y mode and the phase relationship between the signals is presented as a Lissajous figure. In the professional audio world, this method is used for realtime analysis of the phase relationship between the left and right channels of a stereo audio signal. On larger, more sophisticated audio mixing consoles an oscilloscope may be built-in for this purpose. On an oscilloscope, we suppose is CH1 and is CH2, is the amplitude of CH1 and is the amplitude of CH2, is the frequency of CH1 and is the frequency of CH2, so is the ratio of frequencies of the two channels, and is the phase shift of CH1. A purely mechanical application of a Lissajous curve with , is in the driving mechanism of the Mars Light type of oscillating beam lamps popular with railroads in the mid-1900s. The beam in some versions traces out a lopsided figure-8 pattern on its side. ==Application for the case of a = b==
Application for the case of a = b
. When the input to a Linear time-invariant (LTI) system is sinusoidal, the output is sinusoidal with the same frequency, but it may have a different amplitude and some phase shift. Using an oscilloscope that can plot one signal against another (as opposed to one signal against time) to plot the output of an LTI system against the input to the LTI system produces an ellipse that is a Lissajous figure for the special case of . The figure below summarizes how the Lissajous figure changes over different phase shifts for the special case that the output amplitude equals the input amplitude. The phase shifts are representated as negative quantities so that they can be associated with positive (i.e. physical) delay lengths (where the \text{delay length }= -\frac{c}{f}\cdot\frac{\text{phase shift}}{360^\circ}, c is the speed of light, and f is the frequency of the input sinusoidal signal, which is the same as the symbols a and b that define Lissajous curves). The arrows show the direction of rotation of the Lissajous figure. If the phase shift is 0° or -180°, the resulting Lissajous curve is a line with the slope of the line defined as the ratio of the output amplitude to the input amplitude. If the phase shift is -90° or -270° and the output amplitude equals the input amplitude, the resulting Lissajous curve is a perfect circle. of the Lissajous oval. Analysis of the oval allows phase shift from an LTI system to be measured. ==In engineering==
In engineering
A Lissajous curve is used in experimental tests to determine if a device may be properly categorized as a memristor. It is also used to compare two different electrical signals: a known reference signal and a signal to be tested. ==In popular culture==
In popular culture
In motion pictures • Lissajous figures were sometimes displayed on oscilloscopes meant to simulate high-tech equipment in science-fiction TV shows and movies in the 1960s and 1970s. • The title sequence by John Whitney for Alfred Hitchcock's 1958 feature film Vertigo is based on Lissajous figures. Company logos Lissajous figures are sometimes used in graphic design as logos. Examples of non-trivial (i.e. , , and ) use of Lissajous curves in logos include: • The Australian Broadcasting Corporation (, , ) • The Lincoln Laboratory at MIT (, , ) • The open air club Else in Berlin (, , ) • The University of Electro-Communications, Japan (, , ). • Disney's Movies Anywhere streaming video application uses a stylized version of the curve • Facebook's rebrand into Meta Platforms is also a Lissajous Curve, echoing the shape of a capital letter M (, , ). • Home State Brewing co. Used as their logo and signifying a single moment as well as the passage of time— Ichi-go ichi-e In modern art • The Dadaist artist Max Ernst painted Lissajous figures directly by swinging a punctured bucket of paint over a canvas. In music education Lissajous curves have been used in the past to graphically represent musical intervals through the use of the Harmonograph, a device that consists of pendulums oscillating at different frequency ratios. Because different tuning systems employ different frequency ratios to define intervals, these can be compared using Lissajous curves to observe their differences. Therefore, Lissajous curves have applications in music education by graphically representing differences between intervals and among tuning systems. ==See also==
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