Book of Azathoth He must meet the Black Man, and go with them all to the throne of
Azathoth at the centre of ultimate Chaos. That was what she said. He must sign in his own blood the book of Azathoth and take a new secret name now that his independent delvings had gone so far. —H. P. Lovecraft, "
The Dreams in the Witch House" The
Book of Azathoth is a creation of Lovecraft's. It is mentioned in "The Dreams in the Witch House" as a book harbored by
Nyarlathotep in the form of the Black Man (or
Satan). The protagonist, Walter Gilman, is forced to sign the book in his blood, pledging his soul to the Other Gods. The idea of this fictional book is likely based on classical descriptions of witch-cults,
Satanic rites, and the signing away of souls. Other authors have expanded on the
Book of Azathoth.
Michael Alan Nelson writes (in his
Fall of Cthulhu series for
Boom! Studios) that the signer attracts the attention of the Other Gods by writing their name in the book. Glynn Owen Barrass states (in
The Starry Wisdom Library) that the
Book of Azathoth praises the Lovecraftian pantheon and renounces/mocks the Christian scripture.
Book of Eibon . . .
The Book of Eibon, that strangest and rarest of occult forgotten volumes ... is said to have come down through a series of manifold translations from a prehistoric original written in the lost language of
Hyperborea. —Clark Ashton Smith, "Ubbo-Sathla" The concept of
Book of Eibon, or
Liber Ivonis or ''Livre d'Eibon'', is attributed to
Clark Ashton Smith and can be said to be his equivalent of Lovecraft's
Necronomicon. It appears in a number of Lovecraft's stories, such as "
The Haunter of the Dark" (
Liber Ivonis), "
The Dreams in the Witch House" (
Book of Eibon), "
The Horror in the Museum" (
Book of Eibon), "
The Shadow Out of Time" (
Book of Eibon) and "The Man of Stone", a collaboration with
Hazel Heald (
Book of Eibon). Within these narratives, this book is supposed to have been written by
Eibon, a
wizard in the land of Hyperborea. It was an immense text of arcane knowledge that contained, among other things, a detailed account of Eibon's exploits, including his journeys to the Vale of Pnath and the planet Shaggai, his veneration rituals of
Zhothaqquah (Eibon's patron deity), and his magical formulae—such as for the slaying of certain otherworldly horrors. In the lore of the
Cthulhu Mythos, only one complete fragment of the original is known to exist, scattered in different places of our world, though there are translations in
English,
French, and
Latin—
Liber Ivonis is the title of the Latin translation. Smith presents his short story "The Coming of the White Worm" as Chapter IX of the
Book of Eibon.
Lin Carter wrote numerous "completions" or imitations of Clark Ashton Smith stories which purported to be various sections of the
Book of Eibon. Outside of Smith's and Lovecraft's mythoses, the book notably appears in
Lucio Fulci's
supernatural horror film The Beyond (1981), where inappropriate use of it opened up one of the seven gates of Hell, allowing its zombie-like denizens to cross over.
The Book of Iod was also the title of a short-story collection published by
Chaosium in 1995, containing 10 Cthulhu Mythos stories by Henry Kuttner, along with three related stories by Kuttner,
Robert Bloch,
Lin Carter, and
Robert M. Price. ==C==