MarketList of musical works in unusual time signatures
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List of musical works in unusual time signatures

This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.

Upper number of 1
Enigma Variations by Edward Elgar, in Variation VII. • ''Entr'actes and Sappho Fragments'' by Harrison Birtwistle. • Leopardi Fragments by Peter Maxwell Davies. • Mixtur by Karlheinz Stockhausen. • Pli selon pli by Pierre Boulez, in the third movement. • Rhythmicana by Henry Cowell, for the entire first two movements. • String Quartet No. 2 by Easley Blackwood Jr. Air - Homage to Sibelius by Thomas Adès. • Appalachian Spring, by Aaron Copland, at the third bar of rehearsal 46 and the third bar of rehearsal 48. • Apaisement, Op. 13 No. 1, by Ernest Chausson. • Canon with Sustained Notes, No. 60 from Mikrokosmos by Béla Bartók, in one measure. • Fünf Klavierstücke, Op. 23 by Arnold Schoenberg, at bar 9 of the second piece. • ''3 Gesänge aus 'Viae Inviae''', Op. 23, by Anton Webern, in some parts of the second song. • Káťa Kabanová, by Leoš Janáček, for some measures in Act III between rehearsal numbers 5 and 8. • La Langeur, from Le follie francaise ou les dominos from Pièces de Clavecin by François Couperin. • Mladi by Leoš Janáček, at measure 68 of the second movement. • 8 Nocturnes, FP 56 by Francis Poulenc, at bar 27 of No. 1. • Piano Sonata, Op. 43, by Harry Farjeon for a few bars in the first movement. • Piano Sonata No. 3, Op. 105, by Sigfrid Karg-Elert. • Piano Sonata No. 5, Op. 53, by Alexander Scriabin, at bars 251 to 262 (Presto giocoso). { \new PianoStaff > | r4 b | > | } \new Staff \relative c { \clef bass \time 1/2 \key e \major > | >| > | >| } >> } • Pli selon pli by Pierre Boulez, in the fifth movement. • Quartet, Op. 22, by Anton Webern, in many bars of the second movement. • Rapsodie nègre by Francis Poulenc, for some bars in the third movement, "Honoloulou". • String Quartet No. 1, by Béla Bartók, in bars 3, 10, and 22 of the third movement. • Symphony No. 1, by Edward Elgar, in the second movement. • Symphony No. 17 in G minor by Nikolay Myaskovsky, in many parts of the first movement. Adagio 1972 by Kyle Gann, in measure 66. • Alcancías by Silvestre Revueltas, in the second movement, for some bars between rehearsal marks 24 and 32. • Carmina Burana by Carl Orff, in the movement Swaz hie gat umbe. • Clarinet Sonata by Andrew Violette, at measure 97 of the first movement. • Concerto for Piano and Wind Instruments by Igor Stravinsky, just before rehearsal mark 83. • The Death of the Hired Man by Andrew Violette. • Divided Arpeggios, No. 143 from Mikrokosmos by Béla Bartók, for one bar, but incorrectly written as . • "The Eynsham Poacher", a traditional song; in the arrangement by Dave Pegg, most of the tune is in , but the finale includes one bar of . • ''Fantasy on Themes from Mozart's Figaro and Don Giovanni, S. 697'', by Franz Liszt and completed by Leslie Howard. Bar 431/427 is in time. • Fleurs mélodiques des Alpes, the second part of Franz Liszt's ''Album d'un voyageur'', S. 156, in one section of the sixth piece (S. 156/13). • Valse à capriccio sur deux motifs de Lucia et Parisina, S. 401, written by Franz Liszt, contains a section in time in the right hand. • Hovenweep by Kyle Gann, in bar 116. • How Miraculous Things Happen by Kyle Gann, in bar 109. • Hyperchromatica by Kyle Gann, in the movements Futility Row, Delta Oracle, and Galactic Jamboree. • Iberia by Isaac Albéniz, in the movement Jerez. • Lonely Child (1980) by Claude Vivier, at bar 56. • Mädchentotenlieder, by Bo Nilsson, in many bars. • Metastaseis, by Iannis Xenakis, in the first 103 bars. • Metropolis Part 1: The Miracle and the Sleeper, by Dream Theater, at the third bar of rehearsal R. • On an Overgrown Path, by Leoš Janáček, for some bars in the sixth, tenth, and eleventh movements. • Petrushka by Igor Stravinsky, for the bar before rehearsal 17. • Piano Concerto No. 2 by Sergei Prokofiev, in two measures in the second movement. • Piano Sonata by Béla Bartók, in the third movement. • Piano Sonata no. 2 by Roger Sessions, at measure 178. • Piano Sonata No. 3 by Carlos Chávez, in six bars of the first movement. • The first version of Piano Sonata No. 5 by Sergei Prokofiev, for one measure in the third movement. • Pli selon pli by Pierre Boulez, in all movements except the fourth. • Tzigane by Maurice Ravel, in four measures, the first of which is right before rehearsal 27. • Zipangu (1980) by Claude Vivier in several measures. Alchymia by Thomas Adès has a measure of +. • Amor dammi quel fazzolettino by Andrew Violette, for one measure in the left hand of the second piano part. • Black Tea by Andrew Violette. • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 9. • Caprice Variations by George Rochberg, in variation 19. • Carmina Burana by Carl Orff, in the movement Fortune plango vulnera. • The Death of the Hired Man by Andrew Violette. • Last Dance by Andrew Violette. • Lincolnshire Posy by Percy Grainger, in the fifth movement, "Lord Melbourne". • Lonely Child (1980) by Claude Vivier, in several measures. • On an Overgrown Path, by Leoš Janáček, for two bars in the third movement. • Piano Sonata no. 2 by Roger Sessions, at bar 223. • Pli selon pli by Pierre Boulez, in the first and fourth movements. • Portraits in Rhythm and Portraits in Melody by Anthony J. Cirone, in Studies Nos. 12, 16, and 47. • Symphony No. 3 by Arnold Bax, at rehearsal mark 3 of the first movement. Bicinium by Charles Wuorinen, at bars 49 and 82. == Upper number of 2 ==
Upper number of 2
====== • Káťa Kabanová, by Leoš Janáček. Act II is in from rehearsal number 20 to just before rehearsal number 24; act III is in for four bars before rehearsal number 27 and six bars before rehearsal number 28, followed by a mixture of and between rehearsal numbers 28 and 29, and one bar before rehearsal number 36. This time signature is unusual for gigues, which are usually in or . • Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure. ====== • Bicinium by Charles Wuorinen, at bar 75. • Douze études pour Caisse-Claire by Jacques Delécluse, in some measures of the last piece. • Pli selon pli by Pierre Boulez, in the first movement. Bicinium by Charles Wuorinen, at bar 47. == Upper number of 3 ==
Upper number of 3
====== • Chaconne in D major by Samuel Capricornus. • 5 Motets by Peter Maxwell Davies. • Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure. • Rosary Sonatas, by Heinrich Ignaz Franz Biber, for part of No. 11. • Symphony No. 3 by Camille Saint-Saëns, in two sections (a total of 22 bars) at the end of the finale. • Symphony No. 4 by Charles Ives. • Russian Easter Festival Overture by Nikolai Rimsky-Korsakov, measure 668. ====== • Abraham and Isaac by Igor Stravinsky. • Apollo by Igor Stravinsky, near rehearsal mark 23. • Bicinium by Charles Wuorinen, at bars 1, 6, 11, 18, 23, 40, 50, 54, 58, 74, and 83. • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 10. • Concerto in E-flat by Igor Stravinsky has a measure of + a few measures after rehearsal mark 4. • Donna Diana Overture, by Emil von Reznicek. • Douze études pour Caisse-Claire by Jacques Delécluse, in some measures of the last piece. • Piano Sonata No. 1 by Charles Wuorinen, at measure 29 of part 1. • Toccata, Op. 10, by Niels Viggo Bentzon, in a single measure. • Variations for piano, Op. 27, by Anton Webern, movement I. ====== • Bicinium by Charles Wuorinen, at bars 5, 36–37, 39, 52, 65, 77, and 80. • Mädchentotenlieder, by Bo Nilsson, at bar 3. • String Quartet, Op. 28, by Anton Webern in bars 28-37 of the third movement. == Upper number of 4 ==
Upper number of 4
Carmina Burana by Carl Orff has a measure of at the start of the movement Ecce gratum. • Homenaje a Federico García Lorca by Silvestre Revueltas, for the entire first movement, "Baile" (Dance), except for one free-rhythm bar at the beginning and two at the end. • Piano Sonata No. 1 in C major, Op. 1, by Johannes Brahms. Movement II, bars 46 and 50. • Pli selon pli by Pierre Boulez, in the first movement. Bicinium by Charles Wuorinen, at bars 38 and 42. == Upper number of 5 ==
Upper number of 6
• Cantata No. 1 by Anton Webern, in the first movement. • Symphony No. 4 by Charles Ives, for bar 102 of the third movement. • "Um Mitternacht" by Gustav Mahler (Rückert-Lieder No. 5). Bar 27 is marked " ()". Bicinium by Charles Wuorinen, at bar 45. • Piano Sonata No. 1 by Charles Wuorinen, at measure 162 in part 1 (written ). == Upper number of 7 ==
Upper number of 8
:Note: or ''may refer to an evenly divided compound duple or quadruple meter. While this is arguably extremely common in music, the notations ' and ' themselves are not, so all divisions of this time signature are listed here'' Pli selon pli by Pierre Boulez, in the third movement. • Agon by Igor Stravinsky, at measure 164. • "All You Need Is Love" by the Beatles. The main verse pattern contains a total of 29 beats, split into two measures, a single bar of , followed by a one bar return of before repeating the pattern. • Chaconne by Andrew Violette, at measures 55 and 109. • Custer and Sitting Bull by Kyle Gann, in measure 166 of part 3. • "Damage Control" by John Petrucci has several bars in . • Happy Ending (for David Garland) by Kyle Gann, in several sections. • Hyperchromatica by Kyle Gann, in the movements Delta Oracle, 2.7 Kelvin, and Liquid Mechanisms. • Lamentations and Consolations by Sergei Bortkiewicz, in some bars of Lamentation No. 1 and Consolation No. 4 (Sorrento). • Lincoln, The Great Commoner by Charles Ives. • Lonely Child (1980) by Claude Vivier has several measures of (m. 143, 182 etc.). • ''L'Oeuvre d'orgue by Jehan Alain, in the first movement of the Suite and in the third of the Trois Danses''. • Piano Sonata by Béla Bartók, in three measures of the second movement. • String Quartet No. 2, Op. 36 (1945), by Benjamin Britten. Movement I, bars 3 and 12 after rehearsal K are in . • Study No. 22 by Charles Ives, in measures 3-4 and 18–19. • Symphony No. 3 by Peter Maxwell Davies. Movement I has two bars of (divided ) at rehearsal N. ====== • Bicinium by Charles Wuorinen, at bar 90. • Concerto for Orchestra by Béla Bartók. Movement IV has three bars of in the strings at rehearsal 75. • Diversions for Piano Left Hand and Orchestra by Benjamin Britten. • Fancy Free by Leonard Bernstein. In the fourth number, "Pas de deux", bars 324–325, 355–357, 359–361 are in . • 36 Fugues, Op. 36 by Anton Reicha. No. 28 is in . • Hesapa ki Lakhota ki Thawapi by Kyle Gann, in several measures. • Hovenweep by Kyle Gann, in bars 35, 37, and 42. • No. 103, "Minor and Major," has two measures, the first grouped and the second as . • No. 140, "Free Variations," in some places. • No. 151, "Six Dances in Bulgarian Rhythm" 4, is in . • No. 153, "Six Dances in Bulgarian Rhythm" 6, is in . • Music for Strings, Percussion, and Celesta by Béla Bartók. • Movement I, bars 1, 3, 5, 7, 9, 11, 13, 15, 19, 22, 26–27, 29, 38–40, 46, 53, 69, 71, 73, 75, 83, and 85 are in • Movement IV, bars 204, 207, 210, 213 are in . • Petrushka by Igor Stravinsky. One bar before and five bars after rehearsal 4 superimposes a bar of in piccolo 1 & 2, ob. 1 & 2, and trumpet 1, and piccolo 1 & 2, ob. 1–3, cornet 1 & trumpet 1, respectively against in the rest of the orchestra. • Piano Sonata No. 2 ("The Airplane"), by George Antheil. One of the bars is in . • Pli selon pli by Pierre Boulez, in the first movement. • Symphony No. 3 by Peter Maxwell Davies. Third movement has one bar of before rehearsal X. • Threni by Igor Stravinsky. Bars 83–84, 91, and 165 are in . ====== • Abraham and Isaac by Igor Stravinsky, at measure 159. • The Flood by Igor Stravinsky. Bars 406, 414, 422, 427, 432, 440, and 448 are in time, all divided . • Histoire du soldat by Igor Stravinsky has one bar in time, at the fourth bar following rehearsal 35, in the movement "Ragtime". • Pli selon pli by Pierre Boulez, in the second movement. == Upper number of 9 ==
Upper number of 9
Time signatures that group nine beats into are very common in music. This section only lists other groupings, such as . Agon by Igor Stravinsky, at measure 167. Although other measures of in the same section are subdivided , this measure is . • "I Wanna Be a Movie Star" by Bill Wurtz. The main groove is in , but also includes measures in ,,,, and . • "Kissing the Beehive" by Wolf Parade has its verses in . • Lonely Child (1980) by Claude Vivier has in measure 142. • Requiem Canticles by Igor Stravinsky has a measure of , grouped as , in the movement Libera Me. • "Big Lie Small World", by Sting is in with varying division. • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 15 and 19 (both beamed as ). • Estancia by Alberto Ginastera. The refrain of "Los peones de hacienda", at rehearsal numbers 62, 65, 67, 68, 69+3, and 70 is marked " ( – )"; the remainder is variously in , , , and . • "I Hung My Head", by Sting is in . • "Scatterbrain" by Jeff Beck, from the album Blow by Blow, contains multiple sections in . • "Vroom" by King Crimson contains a few measures in during the bridge. • "Blue Rondo à la Turk" by Dave Brubeck is mainly in , grouped as both and . 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 3 (grouped ). == Upper number of 10 == Hyperchromatica by Kyle Gann, in bar 12 of the movement Liquid Mechanisms. • "Asphalt Meadows" by Death Cab for Cutie. Alternates with . • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4. • Lonely Child (1980) by Claude Vivier has in measure 141. • "Rabbit" by This Town Needs Guns has parts in . • "Retreat! Retreat!", by 65daysofstatic is partially in . • String Quartet No. 2, Op. 36 (1945), by Benjamin Britten. Movement I, fourth bar after rehearsal K ("tranquillo, lusingando") is in . • "Testostyrannosaurus" by Hail the Sun, in some parts. • "Unisphere" (1964) by The Dave Brubeck Quartet. • "Wanderlove" by Mason Williams. • "Diagonals" and "Parsec" by Stereolab are both in . 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 1, 4, 8, 9, 11, and 19. • Piano Sonata No. 1 by Charles Wuorinen, at measure 170 of part 2. 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16. • The Death of the Hired Man by Andrew Violette. • Etude No. 1 by Tigran Hamasyan. • How Miraculous Things Happen by Kyle Gann, in bar 97. Hyperchromatica by Kyle Gann, in bars 50 and 158 of the movement Ride the Cosmos. == Upper number of 11 ==
Upper number of 11
====== • Adagio 1972 by Kyle Gann, in measures 11, 36, and 46. • Concertino by Igor Stravinsky, just before rehearsal mark 15. • Custer and Sitting Bull by Kyle Gann, in some measures (70, 72, 75, etc.) of part 3 and the beginning of part 4. • "Eleven Four", by Paul Desmond and recorded by the Dave Brubeck Quartet. • How Miraculous Things Happen by Kyle Gann, in many measures. • Mädchentotenlieder, by Bo Nilsson, in bar 74. • "Testostyrannosaurus" by Hail the Sun, in some parts. ====== • Adagio 1972 by Kyle Gann, in measures 13 and 28. • "Blockhead", by Devo. The verses are in time. • 2 Canzonas with Dances, Op. 43, by Nikolai Medtner, in Canzona No. 1. • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4. • Custer and Sitting Bull by Kyle Gann, in measure 162 of part 1 and some measures (m. 19, 61, etc.) of parts 3 and 4. • 3 Danses from ''L'Oeuvre d'orgue'' by Jehan Alain, in the second dance. • "Eleven" by Primus. The song is mainly in , the chorus has one bar in , and after two bars of a bar in . • Happy Ending (for David Garland) by Kyle Gann, in bars 52, 54, and 61. • "Here Comes the Sun" (1969), written by the Beatles' George Harrison. The song features in the verses and a compound sequence of in the bridge, phrasing interludes that Harrison drew from Indian music influences. • Hesapa ki Lakhota ki Thawapi by Kyle Gann, in several measures. • "Larks' Tongues in Aspic, Pt. 1", by King Crimson. The song is in when the violin enters, then switches to . The song shifts between these metres for the remainder of the song. • "Losing It" by Rush. Intro and verses are composed out of ten bars in , other parts are in . • The race results screen from Mario Kart 64, composed by . • "Man-Erg" (1971), by Van der Graaf Generator. • Piano Sonata No. 2 in G major by Alexei Stanchinsky. Movement II is in . • A próle do bébé No. 2, by Heitor Villa-Lobos. The first and last measures of the fourth movement are in , divided into or , and . • The chorus of "ProzaKc Blues" by King Crimson includes measures of and . • Sagat's theme from Street Fighter II (video game), composed by Isao Abe is entirely in . • "Serenade", a wedding recessional by Derek Bourgeois. The beginning and ending sections are in . • Sketch, Op. 1 No. 5, by Alexei Stanchinsky. • "7empest" by Tool mostly alternates between and time. • "Trapped in the Wake of a Dream" by Mudvayne (chorus in ) • "Upstart" written by Don Ellis and performed by the Don Ellis Orchestra • "Where but for Caravan Would I?" by Caravan. • "Herd Culling" by Porcupine Tree. • "War of Kalinga" by Suraj Synthesist is majorly in a . The 11 here works with inverted polyrhythm of 2 over 3 for first 8 beats & 3 over 2 for the last 3 beats. Some section also incorporates a 11 played like 5 1⁄2 (five and a half). The change of moods, breakdown and conclusion are suggested with 4 beat or un-timed parts too. 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16. • How Miraculous Things Happen by Kyle Gann, in bar 136. • Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Spacecat. • Lonely Child (1980) by Claude Vivier, in several measures (m. 95, 105, etc.). • Piano Sonata no. 2 by Roger Sessions, for some measures in the first movement. Bicinium by Charles Wuorinen, at bars 46 and 78. Bicinium by Charles Wuorinen, at bar 31. == Upper number of 12 ==
Upper number of 12
Concerto for Piano, Clarinet, and String Quartet by Roy Harris, in one measure of the second movement. == Upper number of 13 ==
Upper number of 13
====== • Adagio 1972 by Kyle Gann, in measure 20. • How Miraculous Things Happen by Kyle Gann, in several measures. • "Starless" (1974), by King Crimson. • "World's Fair" (1964) by The Dave Brubeck Quartet. ====== • Adagio 1972 by Kyle Gann, in measure 45. • Custer and Sitting Bull by Kyle Gann, in measures 194-204 of part 4. • "Electric Sunrise" by PliniHovenweep by Kyle Gann, in several measures. • "Odd Boy" by Mutant-Thoughts, in the verses. • A próle do bébé No. 2, by Heitor Villa-Lobos. A measure in the fourth movement, "O cachorrinho de borracha". It is divided into or , and . • De Staat by Louis Andriessen. Bar 724. • "To Negate" by Tigran Hamasyan. • "Jóga" (1997) by Björk (chorus only). • "Mission" by Suraj Synthesist is completely in a . ====== • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 16. • Charon by Richard Barrett, in bar 57. • Custer and Sitting Bull by Kyle Gann, in some measures (m. 48, 64, etc.) of parts 3 and 4. • Earth-Preserving Chant by Kyle Gann, in measure 209. • Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Spacecat. • Piano Sonata no. 2 by Roger Sessions, at measure 154 of the first movement. • A próle do bébé No. 2, by Heitor Villa-Lobos, for two measures in the ninth movement. • The Terminator main theme, by Brad Fiedel. Hyperchromatica by Kyle Gann, in several bars of the movement Ride the Cosmos. == Upper number of 14 ==
Upper number of 14
• Polychromatics by Louis Gruenberg. No. 7, "Invocation," in one measure. Adagio 1972 by Kyle Gann, in measure 30. American Song Set by Andrew Violette, for two measures in one of the songs. • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16. • Concerto for Piano, Clarinet, and String Quartet by Roy Harris. • Sections of "Endless Dream" by Yes. • Happy Ending (for David Garland) by Kyle Gann, in bars 65 and 126. • "Limo Wreck" by Soundgarden. • "Perpetuum Mobile" by the Penguin Cafe Orchestra. • Piano Sonata Op. 25 No. 2, "Night Wind", by Nikolai Medtner. • "Tubular Bells" by Mike Oldfield. The first riff in is made of two bars. The first bar is in , the second bar is in . • "The Eight Miracle" by Bob Curnow, in measures 1-81, 129–161, 249–281, and 393–422. ====== • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 16, and 20. • Custer and Sitting Bull by Kyle Gann, in measure 131 of part 3 and some measures (m. 38, 58, 79, etc.) of part 4. • Piano Sonata no. 2 by Roger Sessions, at measure 100 of the first movement. • De Staat by Louis Andriessen. Bars 501 and 535–36, divided (in b. 501 some layers are in and ). • String Quartet No. 1 (1949), by Leon Kirchner. Custer and Sitting Bull by Kyle Gann, in measure 76 of part 3. • Hyperchromatica by Kyle Gann, in five bars of the movement Ride the Cosmos. • Piano Sonata No. 1 by Charles Wuorinen, at measure 163 of part 1 (written ). == Upper number of 16 ==
Upper number of 16
Custer and Sitting Bull by Kyle Gann, in measures 153, 157, and 162 of part 3. 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4. • Desert Sonata by Kyle Gann, in the second movement. 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 5. • Concerto for Piano, Clarinet, and String Quartet by Roy Harris. • Earth-Preserving Chant by Kyle Gann, in measure 210. • Hyperchromatica by Kyle Gann, in bar 27 of the movement Ride the Cosmos. == Upper number of 17 ==
Upper number of 17
====== • Adagio 1972 by Kyle Gann, in measure 12. • "Seven Teens", by Lionel Loueke. ====== • Adagio 1972 by Kyle Gann, in measure 52. • The intro of "Changes" by Yes. • "The Hole Pt. 1" by Noisia is described by the band as being "more or less" in this time signature. • "Hollow" by Björk. • "Moon" by Björk. • Sketch, Op. 1, No. 6, by Alexei Stanchinsky (written as , but with the time signature written as well). • Desert Sonata by Kyle Gann, in the first movement. • Mladi by Leoš Janáček, in the second movement. Hyperchromatica by Kyle Gann, in bars 99, 101, and 102 of the movement Ride the Cosmos. == Upper number of 18 ==
Upper number of 18
• "Birds of Fire" by Mahavishnu Orchestra. The guitar plays while the drums play . The violin from time to time plays . • 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 6. • The first 38 bars of Nocturne No. 7, Op. 74 by Gabriel Fauré. ====== • American Song Set by Andrew Violette. One of the songs ends in () and another song has in the piano's right hand against in the piano's left hand and voice. • 4 Etudes, Op. 2, by Sergei Prokofiev. The second étude uses in one hand against in the other. • Goldberg Variations, by Johann Sebastian Bach. Variation 26 uses in one hand against in the other, exchanging hands at intervals until the last five bars where both hands are in . • 5 Klavierstücke, Op. 23 by Arnold Schoenberg, third piece, measures 26 to 30. Hyperchromatica by Kyle Gann, in five bars of the movement Ride the Cosmos. == Upper number of 19 ==
Upper number of 19
====== • "33 222 1 222" by Don Ellis. Its title represents the subdivision: ====== • "Hell's Bells" by Bruford, variously subdivided as and throughout the song. • Piano Sonata No. 2 ("The Airplane"), by George Antheil, for one bar. • The main symphonic theme in Caravan's "A Hunting We Shall Go" from their 1973 album For Girls Who Grow Plump in the Night is in time, which can also be interpreted in alternating . ====== • "Celestial Terrestrial Commuters" by Mahavishnu Orchestra. • "Keep It Greasy" by Frank Zappa on ''Joe's Garage'' (the first verse, some bridges and the guitar solo are counted in and the second verse is in ). Hyperchromatica by Kyle Gann, in bars 28, 29, and 111 of the movement Ride the Cosmos. == Upper number of 20 ==
Upper number of 20
• Piano Sonata No. 1 by Charles Wuorinen, in measure 155 of part 2. Hyperchromatica by Kyle Gann, in four bars of the movement Ride the Cosmos. == Upper number of 21 ==
Upper number of 21
3 Danses from ''L'Oeuvre d'orgue'' by Jehan Alain, in one measure of the first dance. • Happy Ending (for David Garland) by Kyle Gann, in bars 63 and 124. • Desert Sonata by Kyle Gann, in the second movement. == Upper number of 22 ==
Upper number of 22
• "The First Circle" from the album First Circle by the Pat Metheny Group, composed by Pat Metheny and Lyle Mays (). Hyperchromatica by Kyle Gann, in the movement Ride the Cosmos. Hyperchromatica by Kyle Gann, in the movement Ride the Cosmos. == Upper number of 23 ==
Upper number of 23
Desert Sonata by Kyle Gann, in the first movement. Hyperchromatica by Kyle Gann has in the movement Ride the Cosmos. == Upper number of 24 ==
Upper number of 24
• "Brobdingnagische Gigue", from Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann is in . • The Well-Tempered Clavier, Book 1 by Johann Sebastian Bach, in the upper stave of Prelude No. 15 (The bottom stave is in ). Hyperchromatica by Kyle Gann, in the movement Ride the Cosmos. == Upper number of 25 ==
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