Critical response The film received mixed reviews.
AlloCiné, a French cinema website, gave the film an average rating of 2.9/5, based on a survey of 26 French reviews.
Roger Ebert gave the film three and a half stars out of four, remarking, "The American film that comes to mind is
The Big Chill [...] It is the oyster fisherman who finally regards them all and presents the plain-spoken truth. What he says was waiting for someone to say. Joel Dupuch says it so well I hope he acts again. He has the presence. There are times when
Little White Lies seems to meander, until we realize it knows exactly where it is going." The film was panned by Philippe Azoury of
Libération, who thought it was too long, strangely cast, and that all of its female characters were stereotypes.
Le Parisien's Marie Sauvion was more ambivalent and divided the review in a pros and a cons section. The pros were that she found the genre in itself sympathetic, and how the film manages to use individual scenes to give the viewer a feeling of participation and shared enjoyment. On the negative side, she thought it was too unsubtle and predictable, and uses too much music to intensify emotional scenes, "In case we didn't understand when to be moved?"
Box office The film debuted at number one at the French box office and grossed $53.3 million worldwide. == Music ==