Will Friedwald of
The Wall Street Journal wrote that the show "was not Mrs. Minnelli's final act – or even the halfway point – but it was the climax of a moment in cultural history. The AIDS epidemic would soon end the festivities, but, as captured by Liza Minnelli at Carnegie in 1979, it was the greatest party in history." Regarding Minnelli's performance, he stated: "Mrs. Minnelli's supreme power may well be her extreme sensuality – she's openly sexy in a way that almost no theatrical diva ever is" closer to
Peggy Lee or
Julie London. You can't help but notice this in two songs written by Ebb and
John Kander for her starring role in "The Act": In "City Lights" – an even better vehicle for her than the more famous "Theme from 'New York, New York'" – she sings not only of her love for her adopted city, but a kind of lust for it." Stephen Mosher of
BroadwayWorld considered Minnelli's performances of "Cabaret," "New York, New York," "City Lights," and "But The World Goes Round" electrifying. He stated that the singer is in great vocal shape throughout the entire concert, and "as, song by song, monologue by monologue, Liza Minnelli takes the listener on a series of intriguing paths, her ability to tell the stories she brought to the stage shines brightly, resonating with individuality and originality." He concluded by saying that "from start to finish, [the album] is not only one of the best albums by Liza Minnelli to be released on CD, not only one of the best concert albums to be recorded, produced, remastered, and re-released after an uncomfortable four-decade wait, it's simply one of the best albums, period." ==Commercial performance==