Edge of Tomorrow

In 2015, an alien race known as "Mimics" lands in Germany and swiftly conquers much of continental Europe, killing millions. By 2020, humanity has formed a global military alliance, the United Defense Force (UDF), to combat the Mimics. However, victory remained elusive until the recent Battle of Verdun, which was secured by the celebrated war hero Sergeant Rita Vrataski. In Britain, the UDF amasses forces for a major invasion of France. General Brigham orders public affairs officer Major William Cage to cover the offensive from the front line, but the inexperienced and cowardly Cage attempts to blackmail Brigham into rescinding the order. Brigham has Cage arrested, demoted to Private and sent to the military base at Heathrow Airport to join the invasion as infantry. He is assigned to Master Sergeant Farell and the misfit J-Squad, who dislike and belittle him. The following day, the invasion forces land on a French beach but are ambushed and massacred by Mimics. Cage uses a Claymore mine to kill a larger "Alpha" Mimic. Bathed in the Mimic's blood, Cage dies during the ensuing explosion. Cage suddenly awakens at Heathrow, realizing he is reliving the previous morning. He makes failed attempts to warn against the invasion, and experiences multiple loops in which he dies on the beach only to awaken again at Heathrow. With each loop, his combat skills and knowledge of the battlefield improve. He tries to save Rita's life so she can lead them but, after recognizing his apparent prescience, she allows herself to die, ordering Cage to find her on his next loop. Cage quickly convinces Rita of the reset because she gained the same power after exposure to an Alpha's blood. Her loops enabled her, an initially inexperienced soldier, to win at Verdun, but a later blood transfusion removed the power. Rita takes Cage to Mimic expert Dr. Carter, who explains the creatures are a superorganism controlled by a single, gigantic "Omega" Mimic. Whenever the Alpha Mimics are killed, the Omega restarts a loop and adjusts its tactics until the Mimics win. Rita realizes the Mimics allowed the UDF victory at Verdun to make them overconfident in their new exoskeletons and lure them into overcommitting their forces in retaking Europe, allowing the Mimics to exterminate most of the resistance. Cage spends many loops training with Rita so they can reach the Omega, but he begins to care for her and struggles after seeing her repeatedly die. He experiences a vision of the Omega concealed in a German dam, and he and Rita seek it out. During the journey, the pair bond, but Rita remains distant, having seen someone she cared about die hundreds of times at Verdun. She eventually determines that this is not the first loop in which they approached the Omega. Cage reveals that she always dies before reaching the dam, regardless of his actions, and he is unwilling to kill the Omega and end the loops if she will remain dead. Upset, Rita attempts to leave but is killed by a Mimic. Despondent, during the next loop, Cage travels to the dam alone. He learns the vision was a trap and is ambushed by an Alpha, but Cage drowns before it can remove his power. To find the Omega, Cage and Rita sneak into General Brigham's office and pressure him into handing over a prototype transponder designed by Carter. Having used it to locate the Omega beneath the Louvre Pyramid in Paris, Cage is knocked unconscious during their escape and given a blood transfusion for his injuries, removing his power. Rita frees Cage, and he uses his detailed knowledge of J-Squad to convince them to help destroy the Omega. They fly to Paris, where the squad members sacrifice themselves to ensure Cage and Rita reach the Louvre. Cornered by an Alpha, Rita kisses Cage, lamenting that she does not have more time to get to know him. The Alpha kills Rita and mortally wounds Cage, but he drops several grenades that destroy the Omega, which bathe him in its blood. Cage awakens before his first meeting with General Brigham, and witnesses a news announcement that all Mimics are dead following a mysterious energy surge in Paris. Cage returns to Heathrow and finds Rita. Oblivious to his identity, she inquires what he wants; Cage chuckles. ==Cast==

• Tom Cruise as Major William Cage • Emily Blunt as Sergeant Rita Vrataski • Bill Paxton as Master Sergeant Farell • Brendan Gleeson as General Brigham • Noah Taylor as Dr. Noah Carter • Kick Gurry as Griff • Dragomir Mrsic as Kuntz • Charlotte Riley as Nance • Jonas Armstrong as Skinner • Franz Drameh as Ford • Masayoshi Haneda as Takeda • Tony Way as Kimmel • Lara Pulver as Karen Lord • Madeleine Mantock as Corporal Julie Montgomery • Martin Hyder as Drunk • Harry Landis as Old Man 3 • Marianne Jean-Baptiste as Dr. Whittle (uncredited) ==Crew==

• Doug Liman – director • Christopher McQuarrie – co-writer • Jez Butterworth – co-writer • John-Henry Butterworth – co-writer • Erwin Stoff – producer • Tom Lassally – producer • Jeffrey Silver – producer • Gregory Jacobs – producer • Jason Hoffs – producer • Dion Beebe – cinematographer • Oliver Scholl – production designer • Kate Hawley – costume designer • James Herbert – editor • Laura Jennings – editor • Christophe Beck – music composer • Nick Davis – visual effects supervisor ==Production==

Development and writing Viz Media published All You Need Is Kill in North America in 2009 as one of four translated Japanese science fiction novels that initiated its Haikasoru imprint. After drawing the interest of producer Erwin Stoff, his company Entertainment optioned the novel that same year. collaborated with the publisher's filmmaking subsidiary Viz Productions, headed by Jason Hoffs. Viz Media president Hidemi Fukuhara served as executive producer. Instead of making a pitch to a major studio to purchase the property and proceed with writing and producing a film adaptation, the company developed a spec script to show the studios. Upon completion, Warner Bros. Pictures purchased it in a deal in April 2010. The studio hired Doug Liman to direct the film the following August. Harper's screenplay was listed in the 2010 edition of the Black List, a survey of most-liked unproduced screenplays. In June 2011, Joby Harold was hired to rewrite the screenplay. By September, Warner Bros. approached Brad Pitt to star; after he declined, the studio then approached Tom Cruise. Once Cruise accepted, the script changed the age of the leading role to fit the actors. In December 2011, Cruise officially joined the film. Emily Blunt entered negotiations to star opposite Cruise in April 2012. Screenwriting duo Roberto Orci and Alex Kurtzman also delivered a draft of their own but their script wasn't used in the final version. Six months before filming started, Liman discarded two-thirds of Harper's original script. Jez Butterworth and John-Henry Butterworth were hired to rewrite the script. Screenwriter Simon Kinberg took over from the Butterworths, and eight weeks before the start of filming, Kinberg was replaced by Christopher McQuarrie. McQuarrie was introduced to the project while directing Cruise in Jack Reacher. While reading the earlier script McQuarrie "understood very clearly what the premise of the story was and what they were looking for in terms of characters". Even if the previous scripts were darker, Cruise stressed the importance of the story's humor to McQuarrie. The actor compared Cage's violent demises to Wile E. Coyote and the Road Runner, declaring, "It's fun coming up with new ways to kill yourself." The parts with Tom Cruise in the opening scene were filmed in Liman's editing room, with the actor doing his own make-up and hair, leading the director to say it "may be the most independent thing I've ever done." Though Liman intended to film the beach battle on-location, the studio instead ended up building a beach set at the studio site. It was intended for the battle scenes to be reminiscent of coastal battles during World War II such as the Invasion of Normandy and the Battle of Dunkirk. Principal photography began at Leavesden on , 2012. The Los Angeles Times said on the second day, Liman "demanded a total reshoot of everything filmed on Day 1", which concerned producers. The brief scene in the Square required closing 36 roads, diverting 122 bus routes and booking all available rooms in nearby hotels and a costly restoration of a historic wicket at a local cricket ground after one of the production helicopters knocked it over. A former army base in the village of Barton Stacey in Hampshire was also used as a filming location for two weeks. Filming also took place at Essex & Suffolk former water treatment facilities in Hanningfield, Essex. Liman said filming took place seven days a week using two crews to film in addition to what had originally been scheduled. The crew struggled with changed British weather since the film was supposed to be set in one day and had to maintain the same weather. The indoor beach set also became muddy, requiring the visual effects artists to enhance the environment with digital sand and surf. ultimately, however, Piven did not appear in the finished film. Cinematographer Dion Beebe made his first feature film with Liman, with whom he had worked previously on commercials. Beebe's approach was to develop "a world under siege, but not a bleak, dark, post-apocalyptic landscape"; Design Production designer Oliver Scholl and his team worked with lead builder Pierre Bohanna to develop concept art for several battle suit options based on contemporary, real-world powered exoskeleton initiatives, such as those supported by DARPA. When director Doug Liman chose a design, the team built an aluminum prototype frame that had pivot points and hinges. Costume designer Kate Hawley contributed a gritty aesthetic design for the color palettes and surface treatments. While the design was meant to be utilitarian, it was also created so the actors could be seen in the suits and also run in them. The team created a foam mock-up of Tom Cruise so the frame could be tailored for him. The team handcrafted material and material battle suits in the course of almost five months. There were three versions of the battle suits: "grunts, dogs, and tanks". The battle suit for Blunt's character was given red slash marks "as if to say she had been to hell and back and lived to tell about it." Cruise, known for performing his own film stunts, also did so in Edge of Tomorrow. Both he and Blunt wore the heavy metal suits. The battle suits weighed on average; the heavier versions weighed around due to being equipped with a mock sniper rifle and rocket launcher. Each actor needed four people to help put on the battle suit. Initially, Cruise needed to put on the suit and another to remove it. Ultimately, the time was reduced to . Visual effects Nine companies handled the visual effects for Edge of Tomorrow under VFX supervisor Nick Davis. Davis worked with the crew of The Third Floor on the film's previsualization process. Sony Pictures Imageworks (SPI) worked on the first two acts of the film and created over , including photorealistic environments, battle scenes, and computer-generated creatures and characters. One major shot involved covering London Heathrow Airport with military troops, vehicles, and aircraft; SPI split some of the work with Framestore. Cinesite joined in production and developed for ten key sequences, with 189 appearing in the final cut. Designers created the alien Mimics to look different from any terrestrial animal. Davis and Liman favored an early model composed primarily of tentacles. SPI's Dan Kramer described its appearance as "heavy black spaghetti" and noted that the modelers faced a challenge creating the tentacled creatures. Since Liman did not want the Mimics to look "too organic or terrestrial", Imageworks' artists devised the idea of making the aliens out of an obsidian-like material, "basically a glass that could cut". Cinesite created the mechanical Mimics used in the training areas, while Moving Picture Company (MPC) created the Omega in a digital environment into which the visual effects artists composited underwater footage filmed at Leavesden's water tank. Animators created digital versions of the battle suits, at times with the soldiers inside them. On the set, a 3D scanner booth digitized the actors, while hand scanners captured the textures of the practical suits. Imageworks received pieces of the suits for reference. The company's library of reflection data on various materials helped enhance the armor's shading. Aside from the crashed ship on the beachhead and a gimbal set to depict the plane used by Cage's squad, the film used digital models for most ships. The computer-generated dropships had some of Imageworks' heaviest detail given the proximity of the actors to the aircraft in the camp scenes; the visual effects artists wanted to make sure the ships broke apart realistically during the crashes. Edge of Tomorrow marked Beck's first science fiction film score. To prepare, Beck watched the film with temp tracks, including one from the 2012 film Battleship. He experimented with repeating the music with the scenes, but because this approach did not frequently fit the events on the screen, Beck used minimal repetition in the film. "The day is reset dozens of times in the film and it would get very repetitive to approach that musically the same way every time", Beck recalled. He initially tried for "traditional heroic themes" that involved horns and trumpets, but he said Liman "preferred a non-traditional approach, driven by percussion and distorted orchestra". To that end, Beck used the pizzicato playing technique, "not in the traditional, plinky-plinky-isn't-this-funny way, but a little darker, and always accompanied by some higher concept synth colors". The distorted orchestral samples enhanced the comedic tone of the extended sequences where Cage recurrently dies in battle, as the director felt it was important for the audience to find humor in this sequence. With Liman's approach, the composer said there were "only a couple of traditional themes" in the film, including one for Emily Blunt's character Rita. ==Release==

Marketing Warner Bros. invested over $100 million in the marketing campaign for Edge of Tomorrow. The film was initially titled All You Need Is Kill after the light novel, but as filming ended in July 2013, Warner Bros. changed the title to Edge of Tomorrow; Warner Bros. president Sue Kroll said the title was changed partly due to "negative chatter" about the word "kill" in the title. Doug Liman, who said he rejected the title All You Need Is Kill because it "didn't feel like it was the tone of the movie I had made", wanted to rename the film Live Die Repeat, but Warner decided to use that just as the tagline. Viz Media released a new edition of the light novel on , 2014, retitled Edge of Tomorrow. It also published a graphic novel adaptation of the light novel on , 2014. For the film's release on home media, Warner Bros. formed two teams for a , 2014, Tough Mudder endurance event series in Black Diamond, Washington. The teams included YouTube personalities and participants from the TV series American Ninja Warrior. Warner Bros. based the teams on the soldiers from "J Squad" in the film. To promote teamwork, the two teams competed in a Tough Mudder obstacle course. Box office forecast Weeks before the film's release, reports in early May 2014 predicted an underwhelming box-office performance in the North American (United States and Canada) box office for Edge of Tomorrow. Several weeks later, the estimate decreased by . Box Office Mojo reported that four of Cruise's films with original material—Valkyrie (2008), Knight and Day (2010), Jack Reacher (2012), and Oblivion (2013)—failed to gross more than in North America. The website forecast that Edge of Tomorrow would gross in North America and in other territories. TheWrap said that the studio focused on theatrical releases in other territories where Cruise "remains a major force" in drawing audiences. Box office Edge of Tomorrow initiated its theatrical run in several territories on , 2014, and rolled out to a total of for its opening weekend of , 2014. It grossed on its opening weekend. After the film's theatrical run, Entertainment Weekly said it had a "lukewarm box-office reception" despite praise from critics. Opening weekend The film had premiere screenings in London, Paris, and New York City on , 2014. The cast and the crew mimicked the film's time loop premise by attending the premieres in a single day, traveling westward to attend them on a staggered schedule. The film was screened in New York City at , the time chosen to refer to the film title. The film was released in theaters in —including the United Kingdom, Brazil, Germany, Spain, and Indonesia—on the weekend of , 2014. Certain territories with strong association football followings were chosen so the film could screen to audiences before the month-long 2014 FIFA World Cup began on , 2014. Edge of Tomorrow competed against Maleficent starring Angelina Jolie, which opened the same weekend in . The Hollywood Reporter called the film's debut a "soft" opening. In many territories, Edge of Tomorrow ranked third behind fellow new release Maleficent and holdover X-Men: Days of Future Past. These included the United Kingdom, where the film ranked third and grossed , where Cruise's 2013 film Oblivion had opened with , and Germany, with an income of compared to Oblivions . Edge of Tomorrow ranked first in Indonesia and Taiwan, grossing and , respectively. Its opening weekend in in Indonesia was Tom Cruise's biggest opening, to date, in the country. Deadline.com said the film had good word of mouth, citing significant increases in Saturday grosses compared to the Friday grosses in the United Kingdom, Germany, and Spain. Second weekend In the first week of June 2014, Edge of Tomorrow opened in markets, including North America, China, Russia, South Korea and France. The film was now showing in and . The film led the global weekend box office with in North America and elsewhere. Edge of Tomorrow topped the Chinese box office with , encompassing admissions in . Edge of Tomorrows debut in both Russia () and South Korea (, taking advantage of a five-day holiday) marked Tom Cruise's highest-grossing opening weekend in both countries. Edge of Tomorrow was released in in North America on , 2014. The ticket service Fandango reported advance tickets surpassed Tom Cruise's previous film Oblivion, but were being overcome by the competing film The Fault in Our Stars. Edge of Tomorrow grossed on the opening weekend, ranking it third below The Fault in Our Stars () and Maleficent (). Polling firm CinemaScore said 61% of the opening weekend audiences were male. It reported that audiences overall gave Edge of Tomorrow a "B+" grade, where younger filmgoers gave "A" and "A−" grades. The Los Angeles Times said the disappointing box office performances of non-franchise films Edge of Tomorrow and Blended, both produced and distributed by Warner Bros. Pictures, indicated risky investments by the studio, which had better success earlier in the year with franchise films The Lego Movie and Godzilla (2014). Subsequent weekends In its second weekend of release in North America ( 2014), Edge of Tomorrow had a "light" second-weekend drop of 43% due to word of mouth and grossed on the second weekend. In the same weekend in territories outside North America, the film was on . With approximately admissions, it grossed . China, Russia, and South Korea, respectively, had the film's largest weekend grosses among the territories. In South Korea, the film ranked first at the box office for two consecutive weekends, grossing a total of by , 2014. In Japan, Edge of Tomorrow was released on , 2014, under the light novel's title All You Need Is Kill. The film opened second in the weekend rankings behind Maleficent, with an intake of $4.5 million. , with $15.3 million, Edge of Tomorrow is the sixth-highest-grossing foreign movie of the year in Japan, and the 21st overall. Home media Edge of Tomorrow was released on DVD, Blu-ray, and video on demand in the United States on , 2014. The Blu-ray includes over of bonus features. Similarly, some digital retailers listed the film under the title Live Die Repeat: Edge of Tomorrow. The DVD and Blu-ray releases grossed in the United States. On July 5, 2022, Edge of Tomorrow was released on 4K Blu-ray. ==Reception==

Critical response Edge of Tomorrow received largely positive reviews from critics, who praised the humor, Liman's direction, the aliens' design, Cruise and Blunt's performances, and the time-loop premise's ability to remain fresh. However, some critics had issues with the film's conclusion. Based on 335 reviews, review aggregation website Rotten Tomatoes reports that 91% of critics gave the film a positive review, with a rating average of 7.5/10. The website's critical consensus reads: "Gripping, well-acted, funny, and clever, Edge of Tomorrow offers entertaining proof that Tom Cruise is still more than capable of shouldering the weight of a blockbuster action thriller." On another aggregator, Metacritic, the film has a weighted average score of 71 out of 100, based on reviews from 43 critics, indicating "generally favorable" reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Justin Chang of Variety called Edge of Tomorrow "a cleverly crafted and propulsively executed sci-fi thriller", saying that the film was director Doug Liman's best since The Bourne Identity (2002). Chang said that the screenwriters, with the assistance of the editors, "tell their story in a breezy narrative shorthand (and at times, sleight-of-hand), transforming what must surely be an unbelievably tedious gauntlet for our hero into a deft, playful and continually involving viewing experience". Regarding the relationship between Cruise and Blunt's characters, Chang said "Liman handles it with a pleasing lightness of touch that extends to the proceedings as a whole." He also commended the visual effects of the "expertly designed Mimics" as well as Dion Beebe's cinematography. Todd McCarthy, writing for The Hollywood Reporter, said the film was "a narratively ambitious sci-fi actioner" that "takes a relatively playful attitude toward the familiar battle tropes". McCarthy said that, despite the humor, he found the time loop premise "tedious" and that "the final stretch becomes dramatically unconvincing and visually murky". However, he also called the effects "exciting, convincing and gritty" and applauded Gleeson and Paxton in their supporting roles. Kenneth Turan of the Los Angeles Times gave the film a positive review, considering the film "a star-driven mass-market entertainment that's smart, exciting and unexpected while not stinting on genre satisfactions" that broke a string of "cookie-cutter, been-there blockbusters". Edge of Tomorrow was listed on 23 critics' top ten lists of movies of 2014 (out of 201 evaluated). David Hynes of WhatCulture ranked Dante Harper's original script, All You Need Is Kill (2010), fifth in a list of the "10 Best Movie Screenplays Since 2010", considering certain changes made for the film to be detrimental: "Is it me or does [the title Edge of Tomorrow] suck in comparison? [...] The conflict between Cage and the Mimics is also far more localised to the beach and marine barracks in the screenplay which improves the cohesiveness of the overall story, whereas Cruise finds himself up in a helicopter in no time in the film version." In July 2025, it was one of the films voted for the "Readers' Choice" edition of The New York Times list of "The 100 Best Movies of the 21st Century," finishing at number 275. Accolades ==Social commentary==

Gender roles |Emily Blunt, who plays Sergeant Rita Vrataski Emily Blunt plays Sergeant Rita Vrataski, a veteran who guides and trains Tom Cruise's character, Major William Cage. Blunt said of her role, "In these male-fueled genres, it's usually the woman who's holding the hand of the guy and he's running through explosions leading her, and I wanted to be doing the leading." Chris Nashawaty, reviewing the film for Entertainment Weekly, called it "the most feminist summer action flick in years". Bustles Alicia Lutes described Rita as "ruthless and exacting in her takedown ... of a bunch of aliens" and said: "This is very much counter to the age-old ideals about ladies being the constant, delicate flowers of emotional heartstring-pulling." Lutes noted how Cage's strength depended on Rita's guidance, as "she trains him, aids him, and protects him (and in turn the fate of humanity) time and time again." Tasha Robinson, writing a piece in The Dissolve about "strong female characters" that lack real purpose in films, said that Rita in Edge of Tomorrow was an exception. Robinson acknowledged that Rita existed to support Cage in his trials, but believed that "the story doesn't degrade, devalue, weaken, or dismiss her". In contrast, The Wires Esther Zuckerman criticized the inclusion of a romantic relationship in the film, and said of the two characters' kiss: "There's a case to be made that the kiss is simply an acceptance of their fate, but everything we know about Rita up until this point implies that she's a dedicated soldier, and making her a sudden romantic betrays her character." Zuckerman added: "That's not to say she can't soften up a bit as humans do, but the moment reads less like she's accepting her humanity and more like the filmmakers had to acknowledge two attractive leads ... who should lock lips because that's what men and women do in movies." Writing in The Week, Monika Bartyzel also criticized the romance in the film, stating that Rita is the one who kisses Cage, despite knowing him for only a day where he had known her for multiple days via time loop. Bartyzel said that Rita's portrayal was part of a commonly seen motif in which a female character helps a male "Chosen One" character and that this was "the new normal because it allows Hollywood to appeal to feminist concerns while continuing to feed male wish fulfillment". Bartyzel said that Rita "at her most powerful" ultimately serves "to make the male hero into a fighter like herself". Comparison to video games Liman said that the film's repeated scenes intentionally paralleled the respawning feature in video games, where players have to start over on a level if their character dies. In the afterword of All You Need Is Kill, author Hiroshi Sakurazaka notes his experience playing video games as a source of inspiration while writing the novel. Salons Ryan Leas said analyses of the film noted that it "steals from the video game genre". Leas called Edge of Tomorrows looped action "a meta-commentary on the blockbuster genre", saying: "It's a blockbuster interested in the question of how mind-numbing its genre has become to its viewers." Comparing Edge of Tomorrow to film adaptations of video games, Wired's Angela Watercutter said Liman's film was more successful for basing itself on the medium's narrative structure, and for its "ability to continue after 'Game Over' and discover something new". ==Future==

Possible sequel In a December 2015 interview with Collider, McQuarrie said that Cruise had an idea for a sequel, and that the concept is "locked and loaded." In April 2016, Doug Liman had signed on to direct the sequel, while Race screenwriters Joe Shrapnel and Anna Waterhouse were to write the script for the film. In October 2016, Liman stated that the film would "revolutionize how people make sequels", and went on to say that the story is "much better than the original film" and that it is "a sequel that's a prequel." In May 2017, Liman revealed that the title would be Live Die Repeat and Repeat and that both Cruise and Blunt would reprise their roles from the first film. In January 2018, Liman said that Live Die Repeat and Repeat could be his next film and that scheduling issues have been worked out and the film was moving steadily toward a window in which to start production. In March 2018, Liman said that he was now working with Jez Butterworth on a script rewrite for the film. Later that month, Blunt stated that she, Cruise and Liman were all enthusiastic about the project, but also noted that "It's a lot for all the stars to align for everyone to be free at the same time and available to do it at the same time." In March 2019, it was reported that Matthew Robinson would rewrite the screenplay, and in October, Liman confirmed that the script was finished. After numerous delays, Liman said on Instagram that the project was still in "planning stages" as of January 2020. In January 2021, Liman continued to suggest a sequel would eventually happen and merely needs the two stars to pull the trigger. Blunt has since stated that due to the COVID-19 pandemic, the budget for another film would be "too expensive", casting further doubt on a possible sequel. In June 2023, Blunt reiterated her interest in a returning for a sequel, but said she did not know when it would happen. That month, McQuarrie said that getting the sequel produced had been a complicated situation thus far. In August 2023, Blunt stated that Cruise's busy schedule was preventing production from moving forward. In January 2024, following a contractual partnership between Cruise and Warner Bros. Pictures, it was revealed that the actor would develop and appear in various projects from the studio. It was stated that co-heads/co-chairpeople Michael De Luca and Pamela Abdy had been in negotiations with Cruise to develop an Edge of Tomorrow sequel following the project's many delays. They discussed a potential sequel at a meeting that month. Television series In February 2022, it was revealed by Village Roadshow Pictures (now Alcon Entertainment) that Warner Bros. Pictures had been developing a television series spin-off of the film with intentions to release the show exclusively on HBO Max. ==See also==