) in
Vetusta Monumenta Vol.1, 1747 (1826)
Vetusta Monumenta In 1718, the society began to publish a series of illustrated papers on ancient buildings, sites, and artefacts, mainly those of Britain and usually written by members of the society, under the title
Vetusta Monumenta. The series continued to appear on an irregular basis until 1906. The papers were published in a
folio format, and were notable for the inclusion of finely engraved views and reproductions of artefacts. mosaic, illustrations by
Catherine Downes, engraved by
James Basire and presented to the SAL by
Daines Barrington An engraver was employed by the society from its inception – the earliest were
George Vertue,
James Basire and successors – labouring to produce the copperplate used in the printing of the folio editions. The prints were often large and appealing, and were intended to satisfy popular demand for archæological subject matter; their quasi-scientific illustrations were often inset with multiple viewpoints of architectural details. A later series of oversize issues was used to accommodate the format of some historical works, which the society had commissioned to be reproduced by
Edward Edwards and
Samuel Hieronymus Grimm in water-colour in 1771; the first issues of these were mostly done by Basire. The first of these with a reproduction of a 16th-century oil painting of the historic scene at the
Field of the Cloth of Gold. The paper for this series required a larger size than was available, the manufacturer
James Whatman was instructed to create a sheet ; the name given to this format is "Antiquarian". The engraving of the plate, measuring by , required two years to complete. The standard printing for this series was 400 prints; the plates were carefully stored by the society and used occasionally to fulfil later requests; only three of the seven plates still exist. The journal mainly contained papers that had been delivered at the society's meetings: in the early years these included many delivered in previous decades that had remained unpublished.
Archaeologia continued to appear on a more or less regular basis until after the
Second World War, but then became increasingly irregular, some of its ground having been taken by the society's other journals. Only two volumes were published in the 1980s (vols 107 and 108), and two in the 1990s (vols 109 and 110, published in 1991 and 1992 respectively). The society's tercentennial collection of essays of 2007 was technically published as vol. 111 of
Archaeologia.
Proceedings and Antiquaries Journal In 1843 the society took the decision to publish some of its proceedings in a second periodical in a smaller format, initially unillustrated, which could appear on a more frequent basis than
Archaeologia: it was entitled
Proceedings of the Society of Antiquaries of London. The first part appeared in 1844 (containing papers delivered in 1843), and this first series continued until 1859, by which time four volumes had appeared. A second series was then begun, in which 32 volumes appeared down to 1920. In 1921
Proceedings was superseded by a new annual journal, the
Antiquaries Journal. This continues to the present day, volume 101 having been published in 2021.
Salon Since the end of 2001, the society has published a fortnightly online newsletter called
Salon (Society of Antiquaries Online Newsletter). ==Officers==