1970s work In 1971 he moved to London and joined
Cozy Powell's band Hammer. In 1975 he joined
Jon Hiseman's highly influential jazz rock band
Colosseum II, along with
Gary Moore,
Neil Murray,
Mike Starrs and later
John Mole. They made three albums and also formed the core band for
Andrew Lloyd Webber's album
Variations, a set of variations on a theme by
Paganini. Don worked on several albums with solo artists and was a
session musician on the 1978
Black Sabbath album
Never Say Die! Soon after, he joined guitarist
Ritchie Blackmore's band,
Rainbow, and featured on Gary Moore's solo debut
Back on the Streets. With Rainbow he contributed to two hit albums,
Down to Earth and
Difficult to Cure.
1980s work After leaving Rainbow in 1981, Airey joined with Ozzy Osbourne for a three-year stint. He had played on the 1980
Blizzard of Ozz album. He then played on the Diary of a Madman Tour from 1981 to 1982 and was also the only witness to
Randy Rhoads's death. Airey also helped with the albums
Speak of the Devil (released in 1982) and
Bark at the Moon (released in 1983). Airey joined
Jethro Tull in 1987 for their tour in support of
Crest of a Knave. The same year also saw the release of
Whitesnake's multi-platinum
Whitesnake, on which Airey played keyboards. Soon after he quit the band to record the solo album
K2 – Tales of Triumph and Tragedy. In it he plays with Gary Moore and Keith Airey – guitars, Cozy Powell – drums,
Laurence Cottle – bass, Chris (Hamlet) Thompson, Colin Blunstone,
Mel Galley, and Genki Hitomi – vocals.
1990s onwards In 1990, Airey recorded keyboard parts for several songs on
Judas Priest's album
Painkiller. However, because Judas Priest wanted the album to have a heavier sound than their previous work, only one song on
Painkiller, "
A Touch of Evil", prominently features Airey. In a 2020 interview, Airey revealed that he also played most of the album's bass parts on a
Minimoog, as Judas Priest bassist
Ian Hill was unable to participate in recording sessions due to illness. He also toured with the Japanese heavy metal band
Anthem, in 1990 and 1992. In 1997 he arranged and played on "
Love Shine a Light" by
Katrina and the Waves, conducting the accompanying orchestra at the
Eurovision Song Contest. The song won the contest. In 1999 he joined Manchester-based melodic hard rock band
Ten where he played keyboards on the album
Babylon, which was released in 2000. He also toured with the band in support of the new album. Airey played keyboards on the song "Darkness Be My Friend" by
Iron Maiden vocalist
Bruce Dickinson, released on the 2002 reissue of Dickinson's debut solo album
Tattooed Millionaire. Airey also played keyboards on
At Vance's Olaf Lenk's first solo album
Sunset Cruise. In 2006 Airey featured on
Gary Moore's release
Old New Ballads Blues contributing to all tracks. In 2008 Airey released his second solo album,
A Light in the Sky and recently it has been announced that another solo album from Airey is set to premiere in 2011. In early 2014 Airey joined hard rock band
Hollywood Monsters where he played keyboards (Hammond B3 organ) on the track "Move On" on the album "Big Trouble" which was released in 2014 on
Mausoleum Records. The album features
Steph Honde on vocals and guitars,
Vinny Appice on drums,
Tim Bogert on bass and
Paul Di'Anno on lead vocals on the bonus track. On 18 January 2017, Airey was inducted into the Hall of Heavy Metal History. In January 2020, Airey played two shows with
Uriah Heep, filling in for Phil Lanzon after the keyboardist's son died.
Deep Purple Airey joined
Deep Purple in 2001 to fill in for an injured
Jon Lord, who subsequently retired from the band. Airey joined the band as a full-time keyboardist in March 2002. He has recorded seven studio albums with the band,
Bananas, Rapture of the Deep, Now What?!,
Infinite,
Whoosh!,
Turning to Crime, and
=1. Interviewed by Jeb Wright, for Classic Rock Revisited, about the album
Now What?!, he said "Well, it's Deep Purple and there is a
Hammond there. There is only one way to go, really. Over the years, I have really worked on my sound, it didn't just happen overnight. The first two, or three, years I was with the band, I was using Jon's C3 and it was pretty knackered. I had it refurbished. It's been put in mothballs now... I much prefer Hammond A-100's, that's my choice." ==Instruments and gear==