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Lorenz Natter

Johann Lorenz Natter (1705–1763) was a German gem-engraver and medallist.

Life
Lorenz was born 21 March 1705 at Biberach in Suabia. There he for six years was in business as a jeweller, and then worked for the same period in Switzerland, where he had relatives. At Berne he was taught by the seal-cutter Johann Rudolph Ochs. He then went to study in Italy, and at Venice took up gem-engraving. On coming to Rome Natter was, on his own account, employed by the Chevalier Odam to copy the Venus of Vettori, to make a Danae of it, and put the supposed engraver's name Aulus to it. For this engraved stone, as well as for others copied by him from the antique, Natter found purchasers. At Florence he was employed by Baron Philipp von Stosch. According to Rogers Ruding, Natter was employed as engraver or assistant-engraver at the English Royal Mint at the beginning of the reign of George III. In the summer of 1762 Natter went to work in St. Petersburg, and died there of asthma, late in the autumn of 1763. ==Works==
Works
Natter's talents as a gem-engraver were praised by Goethe, and Charles William King called him "one of the greatest of the modern practitioners of the art". His first productions were mainly seals with coats of arms. Writing in 1754, he said that he was always willing to receive commissions to copy ancient gems, but stated that he never sold copies as originals; his productions were often signed. His usual signature on gems was NATTEP or NATTHP. He also often signs YΔROΣ or YΔROY, a translation of the German word natter, a water-snake. Georg Kaspar Nagler in his Künstler-Lexikon, and Heinrich Bolzenthal, followed in Edward Hawkins's Medallic Illustrations, gave Natter's forenames as "Johann Lorenz"; Natter on his gems and medals and on the title-pages of his publications used only the Christian name "Lorenz" (or Laurent, Laurentius, etc.). Among Natter's imitations of the antique was his copy of the Medusa, with the name Sosikles, at that time in the cabinet of Tiberius Hemsterhuis, a correspondent of Natter's. He also copied the "Julia Titi of Evodus". A description of his works preserved in the Imperial Cabinet at St. Petersburg was given in J. Bernoulli's Travels, iv. 248. Books Natter published in 1754 A Treatise on the Ancient Method of Engraving on Precious Stones compared with the Modern, London; it was also published in French in the same year as Traité de la méthode antique de graver en pierres fines. In Natter gave practical instructions in gem-engraving, and strongly advised beginners to copy from the antique. Godefrid Kraft of Danzig is mentioned by him, as a pupil of his in engraving. The Treatise did much for his reputation, but in financial terms proved troublesome. Natter also worked for the Dukes of Devonshire and Marlborough. For George Spencer, 4th Duke of Marlborough he drew up a catalogue of the Bessborough gems, which were incorporated with the Marlborough cabinet. This was published in 1761 as ''Catalogue des pierres gravées tant en relief qu'en creux de Mylord Comte de Bessborough'', London, with plates. ==Notes==
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