Following the international success of their third studio album
La Espada & la Pared (1995), the band gave several performances in
United States as a "showcase" to the executives of
Sony Music in the country, this culminated in the recording of the live album on September 14, 1995, the project was managed by Alfredo Lewin and Alex Pels, both from
MTV Latin America, about the process of including the band into the
MTV Unplugged series Lewin said that "after
La Espada & la Pared, Los Tres were a priority for Sony, they had reached the ceiling in the Chilean market and MTV had demonstrated that the thing as pan-regional by 1995", the album was produced by Joe Blaney, who had worked with artists such as
The Clash and
The Ramones as well as in
Hello! MTV Unplugged, the live album from the series by
Charly García. The album is composed by fifteen tracks, eleven of them are songs from their previous studio albums (five from
Los Tres, one from
Se Remata el Siglo and five from
La Espada & la Pared), the unreleased song "Traje Desastre" and three cover versions of songs by Chilean musician
Roberto Parra, the two
cuecas "El Arrepentido" and "La Vida Que Yo He Pasado" and the
foxtrot "Quién es la Que Viene Allí", these three covers are the three last songs in the album and were chosen as a hommage to Parra, a friend of Álvaro Henríquez, the leader of the band, and fellow musician who died months prior to the recording of the album, in April 1995. The song "Traje Desastre", the only single of the album, tells the story of a transexual woman who hides her identity, the music video of the song also reflects the themes of the song telling the story of a transexual woman who presents as a man during the day and works as a sex worker during the night, the name of the song is a word play, with "Traje Desaste" meaning "I brought disaster" and Traje de Sastre meaning "Tailor's Suit". ==Critical reception==