Box office The Lost Boys opened at number two during its opening weekend, with a domestic gross over $5.2 million. It went on to gross a domestic total over $32.2 million against an $8.5 million budget.
Critical response On the
review aggregator website
Rotten Tomatoes, the film holds an approval rating of 75% based on 80 reviews, with an average rating of 6.4/10. The website's critics consensus reads, "Flawed but eminently watchable, Joel Schumacher's teen vampire thriller blends horror, humor, and plenty of visual style with standout performances from a cast full of young 1980s stars." On
Metacritic, it has a weighted average score of 63 out of 100 based on 16 critics, indicating "generally favorable reviews". Audiences surveyed by
CinemaScore gave the film an average grade of "A−" on an A+ to F scale.
Roger Ebert gave the film two-and-a-half out of four stars, praising the cinematography and "a cast that's good right down the line", but ultimately describing
Lost Boys as a triumph of style over substance and "an ambitious entertainment that starts out well, but ends up selling its soul."
Caryn James of
The New York Times called Dianne Wiest's character a "dopey mom" and
Barnard Hughes's character "a caricature of a feisty old Grandpa." She found the film more of a comedy than a horror and the finale "funny".
Elaine Showalter commented that "the film brilliantly portrays vampirism as a metaphor for the kind of mythic male bonding that resists growing up, commitment, especially marriage."
Variety panned the film, calling it "a horrifically dreadful vampire teensploitation entry that daringly advances the theory that all those missing children pictured on garbage bags and milk cartons are actually the victims of bloodsucking bikers." The film won a
Saturn Award for Best Horror Film at the
15th Saturn Awards in 1987.
Cultural influence The Lost Boys has been credited with helping shift depictions of vampires in popular culture and bringing a more youthful, sexier appeal to the
vampire genre. This inspired subsequent films like
Buffy the Vampire Slayer (1992). The scene in which David transforms noodles into worms was directly referenced in the 2014 vampire
mockumentary film
What We Do in the Shadows. The film inspired the song of the same name by the Finnish
gothic rock band
the 69 Eyes from their 2004 album
Devils. Themes and practical effects from the movie are referenced in the lyrics and music video of
Gunship's 2018 "Dark All Day".
Tim Cappello, who performed the song "I Still Believe" on the
Lost Boys soundtrack, collaborated on the Gunship track. Cappello appears in the film as lead performer at the beach concert (vocals and saxophone). The music video for "Into the Summer", a song released by American
rock band
Incubus on August 23, 2019, pays homage to the film. Event organizer Monopoly Events created "the biggest
Lost Boys reunion ever" in 2019 at their annual horror
fan convention,
For the Love of Horror, which included Kiefer Sutherland, Jason Patric,
Alex Winter,
Jamison Newlander, and
Billy Wirth along with musicians from the film,
G Tom Mac, and Tim Cappello, who were reunited for the first time in over 30 years. G Tom Mac and Tim Cappello performed separate live music sets on the event stage to a vast crowd of fans on both days of the event, while Cappello performed a third time at the event after-party. The actors posed together for photographs in a purpose-built cave set modeled on the vampire cave seen in
The Lost Boys film, which was complete with a poster of
Jim Morrison, a bottle of fake blood and David the vampire's wheelchair. The group reunited once again at the 2023 event, and this time, Jason Patric gave a live commentary during a closed screening of the film in the venue. The Frog brothers make a cameo in
Jenny Colgan's 2001 novel
Looking for Andrew McCarthy, in which they are now police officers and make a brief, ominous reference to their past work with "the supernatural". == Home media ==