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Lu Yin (writer)

Lu Yin (1898–1934) was a Chinese feminist writer of the 20th century. Her extensive body of work includes novels, short story collections and essays that explore the lives and hardships of Chinese women in the 20th century. Lu Yin is often associated with the May Fourth movement due to her support and espousing of its ideals during her academic career and its influences that are found in her literary works. During her writing career Lu Yin advocated for women's liberation through education and wrote many critical essays on what the steps to women's emancipation in China should look like. Due to the content of her work often reflecting feminist theory and her May Fourth movement involvement, Lu Yin is cited as a prominent figure in both the canon of May Fourth writers and notable women writers of China.

Life
Early years Lu Yin was born in the Chinese province of Fujian in 1898 however, the exact date of her birth remains in question. Lu Yin's tense relationship with her mother and the neglect she faced as a child would inform the themes of many of her future writings that explored characters with unhappy childhoods. These two women shared many of the same romantic experiences, with both women becoming involved with married men who died suddenly and around the same time. and the two writers often publicly displayed their friendship through their published poems, essays and stories. Upon Shi's death in 1928 from meningitis, Lu Yin had her buried near her lover with matching poems carved into the headstones; this was against cultural morality at the time, as Shi's lover was never her husband. Following the death of Lu Yin's close friend Shi Pingmei, Lu Yin also lost her brother shortly thereafter and with his death, fell into a depressive state. After her period of grieving Lu Yin began to interact with other scholars again and started the literary journal named Huayan yuekan. With the creation of this literary journal, Lu Yin began engaging with more young writers who wanted to have their work published and one of these writers was a student from Qinghua University named Li Weijian. After their initial meeting Lu Yin and Li Weijian began to meet frequently, taking walks and having public outings as lovers. This relationship caused much controversy due to Lu Yin's status as a widowed mother of a young daughter and the nine year age gap between her and her younger lover. During the period from February 14 to April 8, 1930, sixty-eight of the couple's love letters were published and depicted the development of their relationship for readers intrigued by Lu Yin's status as a notable woman writer and the identity of her younger lover. In the summer of 1930 Lu Yin and Li Weijian went to Tokyo to elope and live a quiet life in Japan however, financial burden caused them to move back to China at the end of 1930. Upon their departure from Japan, the couple first moved to Hangzhou and in August 1931 they would settle in Shanghai where Lu Yin would give birth to a daughter soon after their arrival. During this period of time spent in Hangzhou and Shanghai Lu Yin wrote many works including essays, short stories and a novel based on the life of Shi Pingmei entitled The Ivory Ring, that includes Lu Yin acting as the narrator of Shi Pingmei's fictionalized story. Lu Yin continued to write prolifically in the 3 years before her death, producing notable works such as the Thorns of Roses essays (1933), her novel The Heart of a Woman (1933), and the more politically focused novel entitled Flames, published posthumously in 1936. Death In the preface to his work entitled Dongjing xiaopin, Lu Yin's husband says that in May 1934 Lu Yin underwent surgery to repair what was described as a hemorrhaging uterus. Lu Yin survived her surgery but would die days later on May 13, 1934, from complications that historians consistently cite as relating to pregnancy and labour however, the exact medical explanation for her death still remains unclear despite her husband's account. == Lu Yin and the May Fourth Movement ==
Lu Yin and the May Fourth Movement
Lu Yin enrolled in the Beijing Women's Higher Normal School in 1919 and would continue her education there until 1922. Lu Yin gravitated towards its principles, the influence of which can be seen in her early writings that contributed to her prominence as a May Fourth woman writer. == Lu Yin and the Chinese Feminist Movement ==
Lu Yin and the Chinese Feminist Movement
The birth of the Chinese feminist movement is often attributed to the female theorist He-Yin Zhen who wrote about the historical and contemporary oppression of women in Chinese society as well as the intersectional workings of class, morality, capitalism, economics and politics in the upholding of that oppression. Like He-Yin Zhen, Lu Yin was also concerned with women's liberation and specifically focused her critiques on the impacts of social, educational, economic and wage inequality on the emancipation of women in China. In Lu Yin's essays on women's liberation she explores the word "ren" that refers to a person who draws from education and self-reflection to cultivate an understanding of themselves and the world around them. This understanding of the word, "ren" became linked to the idea that to be human and a valuable part of society, one must be educated and have knowledge about the world and people outside themselves thus, as women were historically uneducated and kept cloistered in their inner chambers, it followed that they were neither fully human nor valuable members of society. For this reason, Lu Yin viewed education as a means for elevating women's status to personhood in society and advocated ardently for women's education in her critical pieces as the necessary first step to women's liberation. In terms of Lu Yin's relationship to feminism and the May Fourth movement, she was quite critical of the movement's male scholars' advocacy for female liberation, as she viewed their involvement as a means of controlling women's narratives while playing the role of hero. From the beginning of her writing career until her death, Lu Yin never ceased in her advocacy for women's equality in China through equal access to education, economic opportunities as well as the involvement of women in civil duties and Chinese society, for these reasons, Lu Yin is considered one of China's foremost women writers of the Feminist movement. == Literary themes in Lu Yin's works ==
Literary themes in Lu Yin's works
Lu Yin is recognized mainly as a fiction author and feminist rhetorician whose writings aimed to highlight social injustices and the difficulties faced by Chinese women in the 20th century. This female subjectivity allowed Lu Yin to depict more sentimentally themed works centred on female friendships in a style that distinguished her work from that of her male counterparts and contributed to the evolution of Chinese women's writing into forms such as novels and longer works. == Notable works ==
Notable works
This is a list of some of Lu Yin's major works including her autobiography, novels, essays, poems and letters. • Old Friends by the Sea Shore (1925) • Manli (1928) • A Returning Wild Goose (1930) • Thorns of Roses (1933) • A Woman's Heart (1933) • The Ivory Ring (1934) • Lu Yin's Autobiography (1934) • Glimpse of Tokyo (1935) • Flames (1936) == References ==
Portrait
• Lu Yin. A Portrait by Kong Kai Ming at Portrait Gallery of Chinese Writers (Hong Kong Baptist University Library).
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