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Lucas Reiner

Lucas Joseph Reiner is an American painter, printmaker, photographer and filmmaker. He is most known for painting series that mix elements of representation, narrative, symbolism and abstraction. The work explores subjects such as the collision between organic growth and urban life, the atmospheric effects of fireworks and spiritual themes. His work belongs to the collections of the Los Angeles County Museum of Art, Santa Barbara Museum of Art and Staatliche Graphische Sammlung München, among others, and a monograph of his paintings, drawings and photographs, Los Angeles Trees (2008), was selected as one of the Los Angeles Times "Favorite Books of 2008." That paper's critic David Pagel wrote that his "paintings of trees trimmed to within inches of their lives have the pathos of circus freaks and the stubbornness of survivalists." Reiner has exhibited in the U.S., Germany, Italy and Mexico, at institutions including Los Angeles Municipal Art Gallery and Museo de la Estampa. He is based in Los Angeles and Berlin, and married to Maud Winchester.

Early life
Reiner was born in Los Angeles, California on August 17, 1960, the third child of actor, comedian, director and writer Carl Reiner and visual artist and performer Estelle (née Lebost) Reiner. ==Career==
Career
He attributes his interest in art to his mother; both studied with painter Martin Lubner. Between 1978 and 1986, Reiner attended Parsons School of Design and The New School for Social Research in New York, Otis Art Institute in Los Angeles, and Parsons School of Design Paris. and in group exhibitions at L.A. Louver, CSU Luckman Gallery, Edward Cella Art + Architecture, and Bridge Projects, among others. ==Work==
Work
Reiner's influences include Old Master painters and modern figures such as Mark Rothko, Robert Ryman, and Philip Guston; writer Fred Dewey makes links between Reiner's work and that of Giorgio Morandi. Reiner's early, largely abstract work (which nonetheless references the physical world through color, surface, and text fragments) bears the influence of conceptualism and minimalism in its reduction of content and figuration in reaction. In the later 1990s, Reiner incorporated urban signage to a greater degree in small paintings (e.g., La Petite Beauty and Grace, 1999) that indicate the aesthetic impact of Richard Diebenkorn, Vija Celmins, and Ed Ruscha, who appeared with him in the show, "Urban Hymns" (Luckman Gallery, 2000). Peter Frank likened Reiner's painterly technique to Barbizon realism, but noted a deeper, more metaphysical meditation on what he described as icon-like images of subjects more resembling "untree things"—clouds, heads of hair, tornadoes, maps, paintings. Petra Giloy Hirtz wrote that the trees—crooked, pruned by traffic or grazed by trucks, and strangely trimmed to clear views of billboards, signs, Christmas decorations or graffiti—each reveal a story involving "the domestication of nature by civilization, of survival in an urban context." His "Redentore" series captures pyrotechnic afterglows illuminating amorphous, shadowy masses of smoke that quickly recede in diffusing light. He painted them in wax and oil, the wax drying his pigment to create scarped, roughly textured passages of varying sheen, whose forms and visible erasures convey the passing of time. The initial project included watercolor studies and fifteen drypoint etchings, and culminated in fifteen large, chromatically different mixed-media canvasses. As a filmmaker, he has directed both feature and short films that have screened internationally at film festivals and in galleries. His short films include Trees of Los Angeles (2005), Signs of Los Angeles (1999), Waking Up (1998), and Balancing Act (1996). and the time-travel comedy and 1970s parody, ''The Spirit of '76'' (1990), which starred David Cassidy and Olivia d'Abo. ==Public collections and recognition==
Public collections and recognition
Reiner's work has been acquired by private and public collections including those of the Los Angeles County Museum of Art, Santa Barbara Museum of Art, American Embassy (Riga, Latvia), Colección Jumex, Diözesanmuseum Freising (Germany), Staatliche Graphische Sammlung München, and the West Collection. He received an artist residency at Catena Artistorum in 2020, and has been a visiting artist at institutions in the U.S. and Europe, such as Farmlab and American Academy in Rome. ==References==
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