The cathedral interior is that of a
basilica heavily influenced by the style of French Gothic cathedrals, as exemplified by the three aisles set in a church of cruciform groundplan. French influence is clearly seen in the arcades of pointed arches of the wide central aisle and the pillars which support them. The half-columns in front of them are of considerably greater age. The high walls of the nave are pierced only by very small
lancet windows. The
transept is of notable depth, while the
choir also has lancet windows. The east end of the cathedral terminates in three
apses. The statue of the
Madonna della Vittoria is on the altar in the left arm of the transept. The 15th-century
frescoes in the left-hand apse are of particular note, while the right-hand apse contains a
crucifix from the
Rhineland of about 1340 as well as the gravestone of a French knight, also from the 14th century. The
pulpit dates from 1560. The stone table, supported by octagonal columns with various capitals, which now forms the high altar is of particular historical interest in that it was originally a table in
Castel Fiorentino, where
Emperor Frederick II died in 1250. ==See also==