Ripatti's music is renowned for its sophisticated textural qualities. His sonic approach relies heavily on a semi-random element, and many undulating, complementary and sometimes conflicting layers interplay throughout most of his music. A de-constructive element is sometimes detected within the music as Ripatti makes comment on established genres within his various releases. Characteristic traits within Ripatti's music are sometimes a deep or bubbling synth-bass line, fractured and syncopated
percussion - often placed freely within the music, long delay repetitions of various sounds, syncopated use of vocal samples, and complicated digital effect processing techniques. Generally, the music has a very spacious and organic sound, and albums such as
Anima feature a very simple theme repeated with an array of musical and rhythmical interjections. Ripatti releases under different names have conceptually varied, but have sonically related qualities; this may be due to Ripatti's different composition techniques. Uusitalo releases are often anchored by a house beat and highlight rhythmic variation (see 2007's Karhunainen). Vladislav Delay releases, on the other hand (see 2000's Multila), explore rhythmically sparse, experimental and ambient techno-dub
soundscapes. Works under the Luomo name feature dance-floor ready vocal house. Sistol performs microhouse; Conoco (under which he was only released one early EP, Kemikoski) is similar to his Vladislav Delay work but harsher and more industrial. His Ripatti releases are (a pastiche of) Chicago
footwork. Sasu Ripatti often references himself within his music. The "Vapaa Muurari" album, for example, provided much of the instrumental material for
Vocalcity. Similarly, the track "Tessio" on the "Vocalcity" album was re-recorded for the "Present Lover" album in 2003. ==Discography==