Early beginnings Machismo is a source of pride for men and they must prove their manliness by upholding their dominance in their reputation and their household. Machismo comes from the assertion of male dominance in everyday life. Examples of this would be men dominating their wives, controlling their children, and demanding the utmost respect from others in the household. Machismo has become deeply woven in
Cuban society and have created barriers for women to reach full equality. In Uva de Aragon Clavijo's, novel
El Caiman Ante El Espejo, Clavijo claims that Cubans feel more power from the genital organs of past male Cuban leaders like
Fidel Castro. Even though he represented a revolution, he was still a powerful and dominating man who ruled over the people. In the point of view of Clavijo,
militarism and
caudillismo, are what is to blame for Cuban machismo, as it established the ideology of the "leadership of the strongman" which proved to be successful in Castro becoming victorious in his revolution. Thus furthering that a male dominated political society is superior.
Effects Because of the
objectification of women
, domestic violence is often ignored when women decide to seek help from the police
. Domestic abuse victims are given
psychological counseling to cope with their
trauma, but little is done legally to solve the problem. and the
government does not release statistics that show the people the extent of the crimes. The
Cuban Revolution changed some of the ways the people of Cuba viewed women.
Fidel Castro in his own words saw that the women were going through 'a revolution within the revolution and established the
Federation of Cuban Women (FMC). This organization, headed by
Vilma Espin, Castro's sister in law, helped women better establish themselves into the working world and in women's right issues. The role of women in revolutionary society were as subjects. Although the revolution allowed women control over their personal, professional, and reproductive lives there was a persistent view that Cuba was built by a brotherhood of men. This saw women as "revolutionary mothers" who were subalterns of the state. The idea that gender equality was surface level can be shown in the Codigo de la Familia which called for men to take a more active role in the household, but was rarely enforced. Another example of this surface level equality is shown in Guevara's book, "El hombre Nuevo"(1965). Women are first and foremost depicted as wives of revolutionaries, however they also have the additional roles of militants and volunteer workers. Guevara was connecting traditional Latin American gender concepts of femininity to the socialist revolution by stating that women's commitment to the revolution was not important for the outcome of the revolution but rather for their overall desirability to men. Guevara's book continues to outline the role of women in society by dictating how they should look for men in addition to what to look for in a man. The desirable Cuban man was seen as industrious and willing to serve the state when he was called upon. The Cuban man often had to participate in voluntary agricultural work to help the agricultural production of the state. This was tied to the idea that the Cuban "new man" was essential for the survival of a socialist state. The depiction of women and men in Cuban media influenced gender relations in Cuban society as a whole. The outcomes of the depictions and legislations brought forth by Guevara's "New Man" are shown in the role of women in revolutionary society which saw their role in the domestic sphere mostly unchanged and pre existing notions of masculinity and femininity still being dominant in the political theatre. While there were 48.9% of women in
Cuban Congress, the political group that holds the most power is
The Cuban Communist Party, which was made up of only 7% of women. This means that women are employed but do not and cannot hold positions of power due to the men in power who benefit from staying in power. Machismo is mostly ingrained in
domestic environments, so while 89% of women over 25 have received a secondary education, if a woman is a doctor, or a lawyer even after all the work she has done during the day, at home she is still expected to cook and clean and be the primary caretaker of the children. Many feminist scholars have described this phenomenon, which takes place in other cultures, as the second shift, based on
a book by Arlie Russell Hochschild by the same name. Cuban males see no problem in leaving all the housework to their wives while they are allowed to go out for drinks with their friends. Machismo characteristics in men have given them power over women in the home, That same year gay men in Cuba were being sent to
labor camps because their
sexuality made them "un-fit" to be involved in
military service. But just because the law was passed, does not mean it was heavily reinforced, particularly in the domestic sphere. One of the aspects of the new family law was not only to create equality outside of the home but inside of it as well. This new family law was not received well by many people in
Cuba. And many people lashed back against the law. These grievances reflected in the
media that was made in Cuba, particularly, during the "
Golden Age of Cuban Cinema". In revolutionary Cuba where public political discourse was limited, films provided a platform for political discourse in Cuba by tackling controversial issues in a complex manner. Films like
De Cierta Manera exemplify these shifts in Cuban society through its use of a female director and subversive plot. The film sees a relationship blossom between a low-class
mulatto and a middle-class pale teacher. The plot, "exposes and subverts the traditional notion of spectator identification and thus posits a truly 'revolutionary' and potentially subversive character representation." The Film
Up to a Certain Point establishes a need for the abandonment of machismo in order for Cuba to be a true socialist state. Although subversive films like these were released to cement the ideal "new man" in Cuban culture, some films like
Retrato de Teresa challenge the idea of machismo, but depict the male view as dominant and instead depict the illusion of change. The abandonment of machismo is present in Cuban film although some scholars argue that it was merely surface level and represent the views of gender roles in Cuban society as a whole. Women's commitment to the revolution directly influenced their desirability to men. This led to hypersexualized depictions of women who abided by the revolution while showing non-revolutionary women as undesirable to men in mass media. Cuban cartoons depict desirable Cuban women as revolutionary, sexual, and voluptuous while depicting the undesirable Cuban man as Americanized. The impact of this shift in gender is seen in Cuban society as a whole. New class disparities emerge amongst poor Cuban men, wealthy Cuban men, and tourists. Cuban women are searching for wealthy men which in turn attracts more wealthy tourists to the island, leading to a further dominance of monetary exchange in Cuba which leads to a further class disparity between rich and poor Cubans. == In Puerto Rico ==