Box office Mad Max 2 was a commercial success, grossing A$10.8 million in Australia alone, which was double what
Mad Max had earned in the country which was at its time, the
highest-grossing Australian film at the Australian box office. Despite doubling its predecessor box office, however,
Mad Max 2 never obtained the national record as
Gallipoli was released earlier in 1981 and grossed A$11.7 million in Australia. the film also outperformed
Mad Max. When that film was released in the U.S. in 1982, it did not receive a proper release from its distributor,
American International Pictures, as AIP was in the final stages of a change of ownership after being bought by
Filmways, Inc. a year earlier, and its box office was affected.
Warner Bros. decided to release
Mad Max 2 in the United States, but, recognising the first film was not well known in North America (although it was becoming more popular through cable channel showings), they decided to change the name of the sequel to
The Road Warrior. The advertising for the film, including print ads, trailers, and TV commercials, did not refer to the Max character at all and shied away from the fact that the film was a sequel. For the majority of American viewers, their first inkling of
The Road Warrior being a sequel to
Mad Max was when they saw the black and white, archival footage from the first film during the prologue of the second. When
Vestron Video later released
Mad Max on home video, they capitalized by labeling it "the thrilling predecessor to
The Road Warrior". Outside of the U.S., the film earned rentals of $25 million (including Australia), for a worldwide total of $36 million,
Critical response The film received highly positive reviews and is regarded by many critics as one of the best films of 1981. On
review aggregator website
Rotten Tomatoes, the film holds an approval rating of 94% based on reviews from 62 critics, with an average rating of 8.40/10; the site's "critics consensus" reads: "
The Road Warrior is everything a bigger-budgeted
Mad Max sequel should be: bigger, faster, louder, but definitely not dumber." On
Metacritic, the film has a rating of 77 out of 100 based on 15 reviews, indicating "generally favourable reviews". Film critic
Roger Ebert of the
Chicago Sun-Times gave the film three-and-a-half stars out of four, praised its "skillful filmmaking", and called it "a film of pure action, of kinetic energy", which is "one of the most relentlessly aggressive movies ever made". While Ebert pointed out the film does not develop its "vision of a violent future world ... with characters and dialogue", and uses only the "barest possible bones of a plot", he praised its action sequences. Ebert called the climactic chase sequence "unbelievably well-sustained" and stated that the "special effects and stunts ... are spectacular", creating a "frightening, sometimes disgusting, and (if the truth be told) exhilarating" effect. In his review for
The New York Times,
Vincent Canby wrote: "Never has a film's vision of the
post-nuclear-holocaust world seemed quite as desolate and as brutal, or as action-packed and sometimes as funny as in George Miller's apocalyptic
The Road Warrior, an extravagant film fantasy that looks like a sadomasochistic comic book come to life". Gary Arnold, in his review for
The Washington Post, wrote: "While he seems to let triumph slip out of his grasp, Miller is still a prodigious talent, capable of a scenic and emotional amplitude that recalls the most stirring attributes in great action directors like
Kurosawa,
Peckinpah and
Leone".
Pauline Kael called
Mad Max 2 a "mutant" film that was "sprung from virtually all action genres", creating "one continuous spurt of energy" by using "jangly, fast editing", but criticised Miller's "attempt to tap into the universal concept of the hero", stating that this attempt "makes the film joyless", "sappy", and "sentimental". Richard Scheib called
Mad Max 2 "one of the few occasions where a sequel makes a dramatic improvement in quality over its predecessor." He called it a "kinetic comic-book of a film" and an "exhilarating non-stop rollercoaster ride of a film that contains some of the most exciting stunts and car crashes ever put on screen." Scheib stated that the film transforms the "post-holocaust landscape into the equivalent of a Western frontier", such that "Mel Gibson's Max could just as easily be
Clint Eastwood's tight-lipped
Man With No Name" helping protect "decent frightened folk" from the "marauding Redskins".
The Encyclopedia of Science Fiction says
Mad Max 2, "with all its comic-strip energy and vividness ... is
exploitation cinema at its most inventive."
Accolades At the
24th Australian Film Institute Awards, the film won
Best Direction,
Best Editing,
Best Production Design,
Best Sound, and
Best Costume Design, and it was nominated for
Best Cinematography and
Best Original Music Score; it received the most nominations and wins of any film at the ceremony, but it was not nominated for
Best Film. At the
Academy of Science Fiction, Fantasy and Horror Films'
10th Saturn Awards, the film won the award for
Best International Film and generated nominations for
Best Director,
Best Actor (
Mel Gibson),
Best Supporting Actor (
Bruce Spence),
Best Writing, and
Best Costumes. Additionally, the film won the
Los Angeles Film Critics Association Award for
Best Foreign Film and was nominated for the
Hugo Award for Best Dramatic Presentation, and
George Miller won the Grand Prize at the Avoriaz Fantastic Film Festival for his work on the film.
Legacy The film's depiction of a post-apocalyptic future has so widely influenced other filmmakers and science fiction writers that its gritty "junkyard society of the future look ... is almost taken for granted in the modern science-fiction action film." The
dystopian,
apocalyptic, and
post-apocalyptic themes and imagery in the
Mad Max series of films have inspired some artists to recreate the look and feel of some aspects of the series in their work, and fan clubs and "road warrior"-themed activities continue into the 21st century. In 2008,
Mad Max 2 was selected by
Empire magazine as one of "The 500 Greatest Movies of All Time". Similarly,
The New York Times placed the film on its "Best 1000 Movies Ever" list.
Entertainment Weekly ranked
Mad Max 2 93rd on its list of the "100 Greatest Movies of All Time" in 1999 and 41st on its updated list of the "All-Time 100 Greatest Films" in 2013, and the publication ranked the character of Mad Max 11th on its list of "The All Time Coolest Heroes in Pop Culture". In 2016, James Charisma of
Playboy ranked the film 11th on a list of "15 Sequels That Are Way Better Than the Originals". A museum dedicated to
Mad Max 2 was established in 2010 in the small town of
Silverton (which is 25 kilometres from
Broken Hill in
New South Wales) by Adrian and Linda Bennett, who had built a collection of
Mad Max props and memorabilia after moving to Silverton. In 2025,
The Hollywood Reporter listed
Mad Max 2 as having the best stunts of 1981. ==See also==