Mad scientist

Prototypes as Victor Frankenstein in The Curse of Frankenstein (1957) The prototypical fictional mad scientist was Victor Frankenstein, creator of his eponymous monster, who made his first appearance in 1818, in the novel Frankenstein, or the Modern Prometheus by Mary Shelley. Though the novel's title character, Victor Frankenstein, is a sympathetic character, the critical element of conducting experiments that cross "boundaries that ought not to be crossed", heedless of the consequences, is present in Shelley's novel. Frankenstein was trained as both an alchemist and a modern scientist, which makes him the bridge between two eras of an evolving archetype. The book is said to be a precursor of a new genre, science fiction, although as an example of gothic horror it is connected with other antecedents as well. The year 1896 saw the publication of H. G. Wells's The Island of Doctor Moreau, in which the titular doctor—a controversial vivisectionist—has isolated himself entirely from civilisation in order to continue his experiments in surgically reshaping animals into humanoid forms, heedless of the suffering he causes. In 1925, the novelist Alexander Belyaev introduced mad scientists to the Russian people through the novel ''Professor Dowell's Head'', in which the antagonist performs experimental head transplants on bodies stolen from the morgue, and reanimates the corpses. Cinema depictions in Metropolis (1927) as Dr. Meirschultz, a scientist attempting to bring the dead back to life in the 1934 film Maniac Fritz Lang's movie Metropolis (1927) brought the archetypical mad scientist to the screen in the form of Rotwang, the evil genius whose machines had originally given life to the dystopian city of the title. Rotwang's laboratory influenced many subsequent movie sets with its electrical arcs, bubbling apparatus, and bizarrely complicated arrays of dials and controls. Portrayed by actor Rudolf Klein-Rogge, Rotwang himself is the prototypically conflicted mad scientist; though he is master of almost mystical scientific power, he remains a slave to his own desires for power and revenge. A recent survey of 1,000 horror films distributed in the UK between the 1930s and 1980s reveals mad scientists or their creations have been the villains of 30 percent of the films; scientific research has produced 39 percent of the threats; and, by contrast, scientists have been the heroes of a mere 11 percent. Boris Karloff played mad scientists in several of his 1930s and 1940s films. as Dr. Paul Carruthers, the mad scientist protagonist of the poverty row horror film The Devil Bat (1940). Slighted at his workplace, the chemist Carruthers breeds giant bats to attack his wealthy employers.|right Movie serials The mad scientist was a staple of the Republic/Universal/Columbia movie serials of the 1930s and 40s. Examples include: • "Dr. Zorka" (The Phantom Creeps, 1939) • "Dr. Fu Manchu" (Drums of Fu Manchu, Republic, 1940) • "Dr. Satan" (Mysterious Doctor Satan, 1940) • "Dr. Vulcan" (King of the Rocket Men, 1949) • "Atom Man/Lex Luthor" Atom Man vs. Superman, 1950) Post–World War II depictions Mad scientists were most conspicuous in popular culture after World War II. The sadistic human experimentation conducted under the auspices of the Nazis, especially those of Josef Mengele, and the invention of the atomic bomb, gave rise in this period to genuine fears that science and technology had gone out of control. That the scientific and technological build-up during the Cold War brought about increasing threats of unparalleled destruction of the human species did not lessen the impression. Mad scientists frequently figure in science fiction and motion pictures from the period. Animation Mad scientists in animation include Professor Frink from The Simpsons, Professor Farnsworth from Futurama, Rick Sanchez from Rick and Morty, and Rintaro Okabe from Science Adventure. Walt Disney Pictures had Mickey Mouse trying to save his dog Pluto from The Mad Doctor (1933). Depictions of mad scientists in Warner Brothers' Merrie Melodies/Looney Tunes cartoons include Hair-Raising Hare (1946, based on Peter Lorre), Birth of a Notion (1947, again based on Lorre), Water, Water Every Hare (1952, based on Boris Karloff). While Tom and Jerry experimented with mad scientists in some of their Hanna-Barbera cartoons, an actual mad scientist did not appear until ''Switchin' Kitten'' (1961). ==See also==