Origin The concept for a film inspired by Mozart's
The Magic Flute emerged from a number of sources. Director, writer and producer of the film,
Kevin Sullivan, became interested in the city of Salzburg after his daughter travelled there with her school orchestra to attend Mozart's 250th birthday celebrations. Sullivan was also inspired by
Andrew Lloyd Webber’s stage musical,
The Woman in White, which used
three-dimensional backdrops in its London production. Though Sullivan claims not to be an opera buff, he had always had a love for Mozart's
The Magic Flute.
Filming Due to the impossibility (budget and time constraints) of filming on-location in Salzburg, Sullivan and a team travelled to Austria, Germany and Hungary, taking digital photographs of various churches, streetscapes, grand interiors and scenic backdrops. Filmed in
Toronto, shooting was completed in front of a green screen, allowing computer animators to remove the background and splice in digital photographs and images in postproduction. Thom Best served as
DOP, with special effects by Tony Willis. Advanced mixers with live links to the live cameras allowed for the technicians to adjust background images in real time as the cameras rolled, giving a rough idea of what the finished product would look like.
Opera Atelier The Toronto opera company,
Opera Atelier, partnered with Sullivan Entertainment for the production, providing costumes, crew and cast. Opera Atelier co-artistic directors Marshall Pynkoski and Jeannette Zingg were choreographers for dance numbers in the film. Pynkoski also played the role of the opera director in the film. ==Cast==