The most distinctive artifacts of the Majiayao culture are the painted pottery. During the Majiayao phase, potters decorated their wares with designs in black pigment featuring sweeping parallel lines and dots. Pottery of the Banshan phase is distinguished by curvilinear designs using both black and red paints. Machang-phase pottery is similar, but often not as carefully finished. Its development is associated with interaction between hunter-gatherers in the
Qinghai region and the westward expansion of agricultural Yangshao people. In contrast to plain pottery, the Majiayao painted pottery was produced at large, centralised workshops. The largest Neolithic workshop found in China is at Baidaogouping,
Gansu. The manufacture of large amounts of painted pottery means there were professional craftspeople to produce it, which is taken to indicate increasing social complexity. Control over the production process and quality declined by the
Banshan phase, potentially due to greater demand for pottery to use in funeral rituals, similar to what Hung Ling-yu calls the "modern Wal-Mart syndrome". Pottery style emerging from the
Yangshao culture spread to the Majiayao culture, and then further to Xinjiang and Central Asia. File:Majiayao.jpg|Majiayao phase File:Cultura de Majiayao.JPG|Banshan phase File:Banshan Seattle.JPG|Banshan phase File:MajiayaoCulture-PaintedPotteryJarWithPattern-ShanghaiMuseum-May27-08.jpg|Machang phase
Symbolism The Majiayao culture used a wide variety of symbols in its pottery, some of them abstract and geometric, including the well-known
Neolithic symbol of the
Swastika, some of them figurative, such as
frontal and rather realistic anthropomorphic depictions, Many motifs were already known from the preceding
Yangshao culture (5000–3000 BC). File:MET DP-12231-006.jpg|Symbolic "Frog" pattern File:Machang Period Pottery (Swastika symbol).jpg|Machang Period Pottery (Swastika symbol) File:Machang Period Pottery (10096493816).jpg|Pot with standing human shapes File:Machang Period Pottery (10096530733).jpg|Pot with 3-dimensional humanoid face File:Sculpture of a Female Figure, China, Gansu or Qinghai province, Neolithic period, Majiayao culture, Machang phase, 2350-2050 BC, earthenware - Arthur M. Sackler Museum, Harvard University - DSC00808.jpg|Sculpture of a figure. Machang phase, 2350-2050 BC ==Bronze==