Awards •
67th Venice International Film Festival -
Luigi de Laurentis Award for a Debut Film (won) •
47th International Antalya Golden Orange Film Festival National Film Competition • Golden Orange Award for Best Film (won) • Golden Orange Award for Best Director: Seren Yüce (won) • Golden Orange Award for Best Actor: Bartu Küçükçağlayan (shared with
Serkan Ercan for
Toll Booth) • 12th Mumbai Film Festival International First Feature Film Competition • Golden Gateway Award for Best Film (won) • Silver Gateway Award for Best Actor: Bartu Küçükçağlayan (won) • 23rd
Premiers Plans European First Film Festival - Grand Jury Prize (Shared with
Reverse Motion directed by
Andrey Stempkovsky) •
22nd Ankara International Film Festival • Best Supporting Actor: Settar Tanrıöğen (also for
Shadows and Faces) • Most Promising New Actor: Bartu Küçükçağlayan (shared with
Aram Dildar for
Press) •
43rd SİYAD Awards (February 24, 2011) • Mahmut Tali Award for Best Script: Seren Yüce (won) • Best Actor: Bartu Küçükçağlayan (won) • Best Supporting Actress: Nihal Koldaş (won) • Best Supporting Actor: Settar Tanrıöğen (won) •
4th Yeşilçam Awards (March 28, 2011) • Best Film (won) • Best Screenplay: Seren Yüce (won) • Turkcell First Film Award (won)
Reception The all-female 12th Mumbai Film Festival Jury, chaired by
Jane Campion and including
Samira Makhmalbaf, stated in their award citation for the film that it, "told its story with a Chekhovian charm; humorous, clear and haunting," which with "simplicity, tells a story that reveals the detailed anatomy of a particular kind of bullying masculinity and how it is passed down from father to son," and cited lead actor, Bartu Küçükçağlayan, "for his strikingly unconventional portrayal of an uninspiring young man… achieved with remarkable detail and conviction."
Today's Zaman reviewer Emine Yıldırım introduces the film as, "a hard slap in the face -- a well-deserved and succinct one that reminds us of the macro social realities of Turkish society through the microcosm of one young man," and goes on to state that it, "doesn’t just showcase the dominance of a particular social class; it reflects how patriarchal misogyny is an integral part of our society." "Taking strength from his well-timed and realistic script, Yüce’s direction is almost flawless," the reviewer concludes that,"is one of the best Turkish films of the year. With its impeccable narration and no-nonsense style it exposes a harsh social reality that we prefer to dismiss -- it’s just always easier and more comfortable to be a part of the largest and strongest herd." ==See also==