Spigel fell into the music and art world as a
Tel-Aviv exile in early 1980s
Amsterdam. initially to release their own projects (Oracle, Malka's debut Rosh Balata, and Immersion), but later to release the work of other artists. In 1996, Immersion made an installation at The Irish Museum of Modern Art in Dublin, which set Malka on a path of realising herself as a visual artist in addition to being a musician. During the period 2000 to 2002 she gained a degree in fine art, specialising in video and photography. She has since made video work with
Immersion (most famously seen at the Royal Festival Hall, London) and video clips for
Vapourspace,
Minimal Compact and
Wire. She also has an extensive collection of photography work, primarily created with a
lomo LCA camera, which has gained her pre-eminence in the
lomo &
flickr community. In 2004, Spigel, Newman and Robin Rimbaud founded
Githead, with Spigel playing bass, and all three members sharing vocal duties. Music journalist Joe Tangari, writing for pitchfork.com, reflected on Spigel's contribution to Githead's first album Headgit, released in 2004: "Spigel's bass thumps and bounces, giving Newman's detached vocal leads a funky underpinning and helping to humanize the rhythms provided by something called the Beat Monster. ... It's actually not difficult to imagine
A Bell Is a Cup-era Wire coming up with something like this, though Spigel's deft funkiness – especially on "Profile" – helps set the two sounds apart some." In 2012 Spigel released "Every Day Is Like the First Day", a collaboration with Newman. Another solo album,
Gliding, came out in 2014. ==Discography==