Burnett recorded the song in 1927 with
Columbia Records; this version was unreleased and the master recording was destroyed. Arthur sang it while playing his guitar accompanied by banjoist
Dock Boggs. Due to the success of the record, the singer recorded it again in 1931. As the first released recording of the song, its melody and lyrics formed the basis for subsequent versions and variations.
Stanley Brothers Versions On November 3, 1950, the Stanley Brothers recorded their version of the song with Columbia Records at the
Castle Studios in
Nashville, Tennessee. The Stanleys learned the song from their father Lee Stanley who had turned the song into a hymn which was sung
a cappella in the
Primitive Baptist tradition. The arrangement of the song in the recording, however, was their own and the song was performed in a faster tempo. Because neither Burnett nor Arthur copyrighted the song,
Carter Stanley was able to copyright the song as his own work in 1951. This version (King 45-5269) was released together with "How Mountain Girls Can Love" as a single in October 1959. In July 1959, the Stanley Brothers performed the song at the
Newport Folk Festival, gaining the attention of other folk singers. It led to a number of recordings of the song in the 1960s, most notably by Joan Baez (1960), Bob Dylan (1961), Judy Collins (1961), and
Peter, Paul and Mary (1962).
Bob Dylan Versions In November 1961 Bob Dylan recorded the song titled "Man of Constant Sorrow" and it was included as a track on his 1962
eponymous debut album. Dylan's version is a rewrite of the versions sung by Joan Baez,
New Lost City Ramblers (Mike Seeger's band), among others in the early 1960s. He also performed the song during his first national US television appearance in the spring of 1963. Dylan's version of the song was used by other singers and bands of the 1960s and 70s, such as
Rod Stewart and
Ginger Baker's Air Force. Dylan performed a different version of the song with adapted lyrics of the Stanley Brothers' lyrics during his 1988
Never Ending Tour.
Ginger Baker's Air Force Version The song was recorded in 1970 by
Ginger Baker's Air Force and sung by Air Force guitarist and vocalist (and former
Moody Blues, future
Wings member)
Denny Laine. The single was studio recorded, but a live version, recorded at the
Royal Albert Hall, was included in their eponymous 1970
debut album. The band used a melody similar to Dylan's, and preserved most of Dylan's lyrics other than substituting
Birmingham for
Colorado. The arrangement differed significantly, with the use of violin, electric guitar, and saxophones, although it stayed mainly in the major scales of A, D and E. It was the band's only chart single.
Charts Soggy Bottom Boys Version A notable cover, titled "I Am a Man of Constant Sorrow," was recorded by the fictional folk/bluegrass group The Soggy Bottom Boys in the film
O Brother, Where Art Thou?. The initial plan was for the song to be sung by the film's lead actor,
George Clooney. However, it was found that his recording was not up to the required standard. Burnett later said that he had only two or three weeks to work with Clooney, which was not enough time to prepare Clooney for the recording of a credible hit country record. It peaked at No. 35 on Billboard's
Hot Country Songs chart.
Personnel • Banjo –
Ron Block • Bass –
Barry Bales • Dobro –
Jerry Douglas • Fiddle –
Stuart Duncan • Guitar –
Chris Sharp • Harmony vocals –
Harley Allen, Pat Enright • Lead vocals, guitar –
Dan Tyminski • Mandolin –
Mike Compton • Arranged by –
Carter Stanley Source Charts Other versions of the song • 1920s – American
Delta blues artist
Delta Blind Billy in his song "Hidden Man Blues" had the line 'Man of sorrow all my days / Left the home where I been raised.' • 1937 –
Alan Lomax recorded Sarah Ogan Gunning's performance of her version, "I Am a Girl of Constant Sorrow", for the
Library of Congress's
Archive of American Folk Song. Her version was also covered by other singers such as
Peggy Seeger (her melody however is more similar to Arthur's version), Tossi Aaron, and
Barbara Dane. She recorded the song again at the 1964
Newport Folk Festival, and also released a recording in her album,
Girl of Constant Sorrow, in 1965. • 1960 – A version of the song, "Girl of Constant Sorrow", was recorded by Joan Baez in the summer of 1960. Baez has also recorded "Man of Constant Sorrow" with no change in gender. • 1961 –
Judy Collins's 1961 debut album,
A Maid of Constant Sorrow, took its name from a variant of the song which was included on the album. • 1961 –
Roscoe Holcomb recorded a version. Mike Seeger recorded three versions of the song. • 1966 – It was recorded by
Waylon Jennings on his 1966 major-label debut
Folk-Country. • 1969 –
Rod Stewart covered the song in his
debut solo album. It was based on Dylan's version but with his own arrangement. • Cambodian singer
Pan Ron recorded a
Khmer version where local instruments such as the three-stringed
tro replaced the violins of Stanley Brothers' recording to created distinctive Cambodian version. • 1972 – An
a cappella version appears on
The Dillards' 1972 LP
Roots and Branches. This version had only two verses and replaced Kentucky with Missouri. • 1972 –
Tia Blake recorded a version on her 1972 album
Folk Songs and Ballads. She was only nineteen years old at the time of recording. • 1993 – "Man of Constant Sorrow" was one of many songs recorded by
Jerry Garcia,
David Grisman, and
Tony Rice one weekend in February 1993. Jerry's taped copy of the session was later stolen by his pizza delivery man, eventually became an underground classic, and finally edited and released in 2000 as
The Pizza Tapes. • 2003 -
Skeewiff "Man of Constant Sorrow" was ranked 96 in the
Triple J Hottest 100, 2003, released on Volume 11 disk 1 track 20. • 2012 -
Charm City Devils released "Man Of Constant Sorrow" which charted on various
Billboard rock charts - No. 25 on
Mainstream Rock Songs No. 22 on Active Rock, and No. 48 on
Hot Rock Songs. • 2015 –
Dwight Yoakam covered the song in his album
Second Hand Heart. Yoakam's rendition has been described as having a 'rockabilly' sound. • 2015 –
Blitzen Trapper covered the song exclusively for the black comedy–crime drama television series
Fargo, which played over the credits of the "Rhinoceros" episode of the
second season. •
Sawyer Fredericks covered the song during his blind audition in
Season 8 of
The Voice in 2015. • 2018 –
Home Free, covered the song in a
country /
a capella style. It was released also on their album
Timeless. • 2021 - In the
Channel 4 sitcom
We Are Lady Parts, the main character, Amina, sings a variation of the song with the lyrics changed to fit her situation. ==Parodies==