Leonard Klady of the
Los Angeles Times said that the film's script "limps along as badly as its protagonist" and that the film "is simply cold-comfort movie-going." Michael Spies of the
Houston Chronicle said that the film "not only lacks emotion, it lacks wit and cool. It just has lots of atmosphere." Eleanor Ringel of
The Atlanta Journal-Constitution said that the film "burns itself out well before it's done" even though
Scott Glenn "manages to strike a few sparks along the way." Quinnell was much happier with the 2004 version of film,
Visuals Eleanor Ringel of
The Atlanta Journal-Constitution says that Creasy "introduces himself to us in a
Sunset Boulevard–style opening." Desmond Ryan of
The Philadelphia Inquirer said that the director "has invested a great deal of care in making
Man on Fire visually interesting". James said, "Blink a few times and you'll miss Brooke Adams as Sam's mother, and Danny Aiello as the American ringleader of the Italian terrorists." John H. Richardson of the
Los Angeles Daily News said that in the beginning of the film, Creasy is "a morbid guy" who has an appearance "like a thinner
Chuck Norris, but he has these huge bags under his eyes and a twitch in his cheek, and he tends to stare off into the distance with the cosmic gloom of someone who has Seen the Darkness in the Human Soul." Kaufman added that the actor, as Creasy, "is a bit reminiscent of Chuck Norris." Ringel concluded that "[e]xcellent actor that he is, he lends power and authority to this disjointed work, but even he can't pull together a script that's heading off in opposite directions. After a while, you figure he took the part because the idea of a paid vacation in Italy was too appealing to pass up." Kaufman said that Glenn "turns in a creditable performance as the driven man." When asked in 2015 about playing the part of Creasy, Scott Glenn responded, ==Other adaptations==