Mansudae Art Studio has an international division, the
Mansudae Overseas Project Group, which was established in 1970s. This division is a thriving multimillion-dollar business that has created monuments, museums, stadiums, and palaces for several countries, including Algeria, Botswana, Cambodia, Chad, the Democratic Republic of the Congo, Egypt, Ethiopia, Germany, Malaysia, Mozambique, Madagascar, Senegal, the Syrian Arab Republic, Togo, and Zimbabwe. According to Pier Luigi Cecioni, the success of this small
cottage industry is due to Mansudae's "competence and experience to realize such huge projects, and it can send large teams of artists and workers to foreign countries for a long time." Preliminary work is done at the Mansudae Art Studio, and designs are tested to determine resistance to
natural disasters. Some believe that the group has "no competition worldwide," as one Mansudae sculptor told a German publication.
Fairy Tale Fountain In 2004, Klaus Klemp, deputy director of
Frankfurt's Museum of Applied Art, discovered and was impressed by Mansudae's craftsmanship. Klemp convinced Frankfurt's officials to hire the Mansudae Overseas Project Group to reconstruct
Fairy Tale Fountain, an "
art nouveau relic from 1910 that had been melted down for its metal during
World War II" for which the original
blueprints had gone missing. The Project Group was chosen for its early 1900s style, ability to recreate the fountain based on old photographs, and attractive prices. The fountain is the only commission that the group has won from a
Western country.
African Renaissance Monument Perhaps the group's most notable monument is also one of its most controversial:
Senegal's African Renaissance Monument. Unveiled in 2010, it stands at 50 meters, which is taller than the
Statue of Liberty and
Rio de Janeiro's
Christ the Redeemer, and depicts a half-nude African family of three in a
socialist-realist pose. A former president of Senegal,
Abdoulaye Wade, hired the group because it was the only organization that he could afford. It took the work of around 150 Mansudae artists to complete. Senegalese unions protested about the foreign labour due to the 50 per cent unemployment rate at the time, the
Muslim majority of the population was offended by the exposed breast of the mother figure, and Wade had to have the heads redone as they looked Korean rather than African. == Significance ==