Caidin's novel
Cyborg was a best-seller when it was published in 1972. He followed it up with three sequels,
Operation Nuke,
High Crystal, and
Cyborg IV, respectively about a black market in nuclear weapons, a
Chariots of the Gods? scenario, and fusing Austin's bionic hardware to a
spaceplane. In March 1973,
Cyborg was loosely adapted as a made-for-TV movie titled
The Six Million Dollar Man starring Majors as Austin. The producers' first choice was
Monte Markham. (When re-edited for the later series, it was re-titled "The Moon and the Desert, Parts I and II".) The adaptation was done by writer Howard Rodman, working under the pseudonym of Henri Simoun. The film, which was nominated for a
Hugo Award, modified Caidin's plot and notably made Austin a civilian astronaut rather than a colonel in the United States Air Force. Absent were some of the standard features of the later series: the electronic sound effects, the slow-motion running, and the character of Oscar Goldman. Instead, another character named Oliver Spencer, played by
Darren McGavin, was Austin's supervisor, of an organization here called the Office of Strategic Operations, or "OSO". (In the novels, "OSO" stood for Office of Special Operations. The CIA did have an Office of Scientific Intelligence in the 1970s.) The lead scientist involved in implanting Austin's bionic hardware, Rudy Wells, was played in the pilot by
Martin Balsam, then on an occasional basis in the series by
Alan Oppenheimer, and, finally, as a series regular, by
Martin E. Brooks. Austin did not use the enhanced capabilities of his bionic eye during the first TV movie. The first movie was a major ratings success and was followed by two more made-for-TV movies in October and November 1973 as part of ABC's rotating
Movie of the Week series. The first was titled
The Six Million Dollar Man: "Wine, Women and War", and the second was titled
The Six Million Dollar Man: "The Solid Gold Kidnapping". The first of these two bore strong resemblances to Caidin's second
Cyborg novel,
Operation Nuke; the second, however, was an original story. This was followed in January 1974 by the debut of
The Six Million Dollar Man as a weekly hour-long series. The latter two movies, produced by
Glen A. Larson, notably introduced a
James Bond flavor to the series and reinstated Austin's status from the novels as an Air Force colonel; the hour-long series, produced by
Harve Bennett, dispensed with the James Bond–gloss of the movies, and portrayed a more down-to-earth Austin. (Majors said of Austin, "[He] hates...the whole idea of spying. He finds it repugnant, degrading. If he's a James Bond, he's the most reluctant one we've ever had.") Use of deadly force by Austin–frequent in Caidin's novels and employed occasionally in the movies and early episodes—also decreased as the series progressed. The show was very popular during its run and introduced several
pop culture elements of the 1970s, such as the show's opening
catchphrase ("We can rebuild him; we have the technology",
voiced over by
Richard Anderson in his role of
Oscar Goldman), the
slow motion action sequences, and the accompanying "electronic"
sound effects. The slow motion action sequences were originally referred to as "
Kung Fu slow motion" in popular culture (due to its use in that 1970s martial arts television series), although according to
The Bionic Book by
Herbie J. Pilato, the use of slow motion on the series was inspired by its use by
NFL Films. In 1975, a two-part episode titled "The Bionic Woman", written for television by
Kenneth Johnson, introduced the lead character
Jaime Sommers (played by
Lindsay Wagner), a professional tennis player who rekindled an old romance with Austin, only to experience a parachuting accident that resulted in her being given bionic parts similar to Austin. Ultimately, her body "rejected" her bionic hardware and she died. The character was very popular, however, and the following season it was revealed that she had survived, having been saved by an experimental cryogenic procedure, and she was given her own spin-off series,
The Bionic Woman. This spin-off ran until 1978 when both it and
The Six Million Dollar Man were simultaneously cancelled, though the two series were on different networks when their final seasons aired.
Opening sequence The images of the accident during the opening credits are real, taken from
M2-F2 crash that occurred on May 10, 1967. Test pilot
Bruce Peterson's lifting body aircraft hit the ground at approximately and tumbled six times, but Peterson survived what appeared to be a fatal accident, though he later lost an eye to infection. In the episode "The Deadly Replay", Oscar Goldman refers to the lifting body aircraft in which Austin crashed as the
HL-10, stating, "We've rebuilt the HL-10." The HL-10 is the aircraft first seen in the original pilot movie before the accident flight. In the 1987 TV film
The Return of the Six Million Dollar Man and the Bionic Woman, Austin refers to the craft as the "M3-F5", which was the name used for the aircraft that crashed in the original
Cyborg novel. In the opening sequence, a narrator (series producer
Harve Bennett) identifies the protagonist, "Steve Austin, astronaut. A man barely alive." Richard Anderson, in character as Oscar Goldman, then intones off-camera, "Gentlemen, we can rebuild him. We have the technology. We have the capability to make the world's first bionic man. Steve Austin will
be that man. Better than he was before. Better . . . stronger . . . faster." During the first season, beginning with "Population: Zero", Anderson, as Goldman, intoned more simply, "We can rebuild him. We have the technology. We can make him better than he was. Better . . . stronger . . . faster." During the operation, as his bionics are being fitted, a list of items and numbers is displayed and lists his power plant as "atomic".
Theme music The opening and closing credits of the
Wine, Women & War and
The Solid Gold Kidnapping telefilms used a theme song written by Glen A. Larson, and sung by
Dusty Springfield, backed by Ron "Escalade" Piscina. This song was also used in the initial promotion of the series. However, when the weekly series began, the song was replaced by an instrumental theme by
Oliver Nelson. The first regular episode, "Population: Zero", introduced a new element to the opening sequence: a voiceover by Oscar Goldman stating the rationale behind creating a bionic man. The first season narration and opening credits arrangement of Nelson's theme were shorter than that used in the second and subsequent seasons.
Steve Austin's bionics To maintain the show's plausibility, producer
Kenneth Johnson set very specific limits on Steve Austin's abilities. He elaborated, "When you're dealing with the area of fantasy, if you say, 'Well, they're bionic so they can do whatever they want,' then it gets out of hand, so you've got to have really, really tight rules. [Steve and
Jaime] can jump up two stories but not three. They can jump down three stories but not four." Austin's superhuman enhancements are: • A
bionic left eye: : It has a 20.2:1 zoom lens along with a night vision function (as well as the restoration of normal vision). The figure of 20.2:1 is taken from the faux computer graphics in the opening credits; the figure 20:1 is mentioned twice in the series, in the episode "Population: Zero" and "Secret of Bigfoot". Austin's bionic eye also has other features, such as an infrared filter used frequently to see in the dark and also to detect heat (as in the episode "The Pioneers"), and the ability to view humanoid beings moving too fast for a normal eye to see (as in the story arc "The Secret of Bigfoot"). One early episode shows the eye as a deadly accurate targeting device for his throwing arm. : In Caidin's original novels, Austin's eye was depicted as simply a camera (which had to be physically removed after use) and Austin remained blind in the eye. Later, Austin gained the ability to shoot a laser from the eye. The
Charlton Comics comic book spin-off from the series also established that Austin's bionic eye could shoot a laser beam (as demonstrated in the first issues of the color comic), but neither function was shown on television. •
Bionic legs: : These allow him to run at tremendous speed and make great leaps. Austin's upper speed limit was never firmly established, although a speed of is commonly quoted since this figure is shown on a speed gauge during the opening credits. The highest speed ever shown in the series on a speed gauge is in "The Pal-Mir Escort"; however, the later revival films suggested that he could run approximately . A faster top speed is possible, as an episode of the
Bionic Woman spin-off entitled "Winning Is Everything" shows female cyborg Jaime Sommers outrunning a race car going . In "Secret of Bigfoot" it is stated that he can leap high. In the later TV movies, Austin is shown leaping heights that clearly appear to be far in excess of this. • A
bionic right arm: : It has the equivalent strength of a
bulldozer; that the arm contains a
Geiger counter was established in "Doomsday and Counting", the sixth episode of the first season. The implants have a major flaw in that extreme cold interferes with their functions and can disable them given sufficient exposure. However, when Austin returns to a warmer temperature, the implants quickly regain full functionality. The first season also established that Austin's bionics malfunction when exposed to
cosmic radiation while in space, rectified by an addition of another layer in the artificial skin for shielding. The bionic eye is vulnerable to ultrasonic attack, resulting in blindness and dizziness. It is not explained how Austin's organic body is able to withstand the stress of either bionic hardware weight or performance of superhuman feats. To indicate to viewers that Austin was using his bionic enhancements, sequences with him performing superhuman tasks were presented in
slow-motion and accompanied by an electronic "dit dit dit dit" sound effect. (This characteristic sound effect was actually first used in season 1 episode 4, "Day of the Robot", not during use of Austin's bionics but with the robotic clone of Major Fred Sloan, played by actor
John Saxon, during the final fight scene.) When the bionic eye was used, the camera zoomed in on Austin's face, followed by an extreme close-up of his eye; his point of view usually included a crosshair motif accompanied by a beeping sound-effect. In early episodes, different ways of presenting Austin's powers were tested, including a heartbeat sound effect that predated the electronic sound, and in the three original made-for-TV movies, no sound effects or slow-motion were used, with Austin's actions shown at normal speed (except for his running, which used trick photography); the slow-motion portrayal was introduced with the first hour-long episode, "Population: Zero". ==Episodes==