Box office During its opening in France, the film debuted with a weekend total of $601,554. Its opening weekend in Spain brought in $620,845 and $79,637 in the United Arab Emirates. In the United States, the film earned $195,792 during its first two weeks from its limited theatrical release in June and July 2015.
Critical response , the film holds a 55% approval rating on review aggregator
Rotten Tomatoes, based on 56 reviews with an average rating of 5.62 out of 10. The website's critics consensus reads: "Its focus drifts frustratingly away from the titular druglord, but
Escobar: Paradise Lost remains a mildly diverting drama, thanks largely to Benicio del Toro's glowering performance."
Metacritic gives the film a score of 56 out of 100, based on reviews from 19 critics, indicating "mixed or average reviews". At the
Telluride Film Festival,
Escobar: Paradise Lost received a generally positive critical response. Writing for
The Hollywood Reporter,
Todd McCarthy called the film "an absorbing and suspenseful drug trade drama" along with citing that "del Toro’s presence, like
Brando’s in
The Godfather, looms over everything that happens here". McCarthy also stated that "Di Stefano shows some real directorial chops in the film’s central and impressively extended action-suspense sequence". However, "the romantic interplay between Nick and Maria gets a bit tiresome and redundant due to the fact that they’re both so extremely nice and agreeable; Nick’s naivete and goody two-shoes
Canadianism (he stresses that he’s not a Yank) also prove wearisome". Writing for
Indiewire, Eric Kohn gave the film a B and praised the performances of del Toro and Hutcherson writing that del Toro "turns Escobar into a subdued terror whose ability to order murders with ease provides the movie with its chief source of dread", while Hutcherson "imbues the character with a believability that transcends the script's limitations". However, Kohn also criticised the film as it "fails to develop the rest of its characters as well as it does for its two central men. The screenplay is similarly marred by formula, lagging whenever it hits certain high melodramatic notes, and reminding us of the stakes in play with mopey, dime-store gravitas".
Accolades ==References==