Robert Menasse's first short story
Nägelbeißen (Engl. Nail-Biting) was published in the journal
Neue Wege in 1973. From 1975 to 1980 he worked on his unfinished and unpublished novel
Kopfwehmut (Engl. Mind's Melancholy), a social novel set in 1970s Vienna. His first published novel,
Sinnliche Gewißheit (Engl. Sensual Certainty) appeared in 1988 as the first part of a trilogy started in Brazil
Trilogie der Entgeisterung (Engl. Trilogy of Dismay), which also includes the 1991 novel
Selige Zeiten, brüchige Welt (Engl.
Wings of Stone, 2000), which is at once a crime story, a philosophical novel and a Jewish family saga, and finally the 1995 novel
Schubumkehr (Engl.
Reverse Thrust, 2000) as well as the postscript Phänomenologie der Entgeisterung (1995, Engl. Phenomenology of Dismay). In
Schubumkehr, against the background of the private life of the literature teacher Roman, who was already introduced in
Selige Zeiten, brüchige Welt, Menasse describes the fall of the
Iron Curtain in 1989 and the breakdown of the familiar order in a small Austrian village. This novel, which is not least an artistic treatment of the spirit of the age, was awarded the Grimmelshausen Prize in 1999 and made the author a household name. As suggested already by the title of the novel
Schubumkehr and in the
Trilogie der Entgeisterung Menasse turns Hegel's Phenomenology of Spirit on its head. In contrast to
Hegel, who assumes a development of human consciousness to all-embracing spirit, Menasse postulates a regressive development, whose final stage will be "sensual certainty", according to Hegel the most naïve form of consciousness. In his novel
Die Vertreibung aus der Hölle (2001; Engl. Expulsion from Hell) Menasse casts doubt on the objectivity of history, coupled with the personal history of the author and his Jewish roots. As a spin-off of his researches on the character and real person
Menasseh Ben Israel for his novel
Die Vertreibung aus der Hölle translated in ten languages, Menasse formulated the hypothesis of
Abaelard‘s influence on
Menasseh Ben Israel and
Spinoza, published among others in his essay
Enlightenment as Harmonious Strategy. In 2007 he published
Don Juan de la Mancha, where he tells of more or less fictitious events from the (love) life of the newspaper editor Nathan – a mixture of listlessness, drive, lust and the search for the fulfilment of love. As a character, Nathan stands for the generation that was socialised in the 1970s with the claim for the “
sexual revolution". In 2017 Menasse published his analytical novel
Die Hauptstadt (The Capital), which has been described as the first novel about Brussels as the
European Union's capital, and which received the
German Book Prize. The story is focused on officials from the Department of Culture, who are expected to add polish to the image of the
EU Commission on its birthday. The main character in this novel, Pote, explores his family's history. This is to be accomplished with a "Big Jubilee Project" event with
concentration camp survivors in Auschwitz. The life stories of characters lead the reader into six EU countries. The stage director Tom Kühnel and the dramaturg Ralf Fiedler translated the novel into a theatrical version with about twenty characters played by seven actors, which was premiered in January 2018 at the
Theater am Neumarkt in
Zürich. The English translation,
The Capital by
Jamie Bulloch, was published by
MacLehose Press in February 2019. ==Essays and writings on cultural theory==