Mead and Schenck may have begun working together as early as 1912. When they formed the partnership of Schenck & Mead in early 1914, they were (incorrectly) hailed by the
New York Times as the first firm of women architects in America; that milestone had actually been set two decades earlier by Gannon and Hands. After Mead and Schenck opened their offices in
midtown Manhattan, their first commissions included a summer home and a bungalow-style residence. Their main interest, however, lay in designing housing that was practical for women, modern tenements for the poor, and neighborhood developments for the working classes. They planned to work from "the feminist side" of things, giving priority to matters like closets, clothes chutes, and water pumps that they felt made a world of difference in women's lives but were often neglected by male architects. In addition, they approached community planning and design holistically, taking into account not just individual residences but also street layouts, store locations, and open space. In 1915, Schenck & Mead won a nationwide architectural competition sponsored by the City Club of Chicago for a neighborhood center. Their proposal was for a center an area of the
Bronx between
Washington Bridge and
Macombs Dam Park. Around the same time, they put forward a proposal for a group of model homes for the poor in Washington, D.C., to be known as the
Ellen Wilson Memorial Homes after the late wife of then-President
Woodrow Wilson. The plan was ambitious, comprising a playground, day nursery, laundry, small emergency hospital, communal kitchen, library, and club rooms, alongside 130 individual residences. On April 29, 1915, just a few months after the firm won the Chicago competition, Schenck died of pneumonia. Mead continued to use the firm's name for several years while establishing a solo practice. One large 1917–18 project for which Mead was the lead architect was in
Bridgeport, Connecticut, which had a shortage of affordable housing as a consequence of the rapid development of war-related industries like shipbuilding during
World War I. A local firm, Bridgeport Housing Company, financed construction of a group of 87 one- and two-family row houses designed by Mead. The development occupied a city block and was laid out around a central playground, keeping the children away from automobile traffic. Unusually for the time, about half of the houses had a hot water system supplied from a nearby powerhouse. In discussing her design for this community housing, Mead stressed the importance of cross-ventilation and windows for light, and she paid close attention to the structure of a housewife's day since "the work of taking care of the home falls to her lot." During this project, for example, she managed to get the local standards for sink and washtub heights changed to be higher, using live demonstrations to convince officials that basins set too low strained women's backs. In 1918, Mead became the fourth woman member of the
American Institute of Architects, and in 1929 she was made a Life Member. In 1923–24, the Canadian architect
Esther Hill worked for Mead as an apprentice. Mead died in
Los Angeles in 1967. ==Legacy==