Mardiros Altounian

Mardiros Altounian was born on 21 September 1889 in Bursa, a major city in western Anatolia then part of the Ottoman Empire, into the Armenian community of the region. He subsequently pursued architectural studies in Bulgaria, then in France, graduating from the École nationale supérieure des Beaux-Arts in Paris in 1918. The École des Beaux-Arts was the preeminent institution for architectural training in France, and its graduates were grounded in the classical tradition of French neoclassicism combined with Renaissance and Baroque influences, a synthesis known internationally as the Beaux-Arts style. Altounian's formation in Paris also exposed him to Oriental architectural idioms then fashionable in European design schools, drawing on sources from Istanbul, Cairo, and the Levant. == Career in Lebanon ==

Following his graduation and marriage in 1919, he relocated to Beirut to join his family, who had already settled there. At that time, Beirut had become the capital of the newly established Greater Lebanon under the French Mandate (1920–1943), and Altounian was appointed as an architect within the Ministry of Public Works. The French authorities undertook an ambitious program of urban modernization in Beirut's city center during the 1920s and 1930s, transforming the area around what would become Place de l'Étoile (Nejmeh Square) into a Haussmann-inspired star-shaped plaza, a plan drafted by Camille Duraffourd and executed between 1926 and 1933. Altounian became one of the central architects commissioned to design buildings around the square, Altounian's most celebrated work is the Lebanese Parliament Building, situated on Nejmeh Square in central Beirut. Commissioned during the French Mandate in 1933 and completed in 1934, the building serves as the seat of the Parliament of Lebanon. Advised by the authorities to design the building in the spirit of Lebanese tradition, Altounian undertook research visits to the Emirs' palaces in the Chouf Mountains, drawing on local vernacular forms while synthesizing them with the Beaux-Arts vocabulary of his Parisian training. He also drew on Oriental styles then being interpreted by architects working in Paris, Istanbul, and Cairo. The building integrates Beaux-Arts compositional principles with distinctly Levantine decorative elements, including twin and triple arch windows, and a limestone façade adorned with recessed panels, arched openings, and tiered muqarnas (stalactite vaulting). The interior features a reinforced concrete frame supporting a cupola of twenty meters in diameter covering the chamber of deputies. Before the Lebanese Civil War, the building also housed the National Library; the library's collection of approximately 20,000 volumes, including ancient manuscripts, was partly destroyed during the conflict. Also located on Nejmeh Square, the Al-Abed Clock Tower was designed by Altounian and completed in 1934. The tower was a gift to the city of Beirut from Michel Abed, a Lebanese-Brazilian émigré businessman, and its four-faced clock became an iconic element of the square's streetscape. Altounian's portfolio extended across a diverse range of civic, religious, and residential commissions. In 1937, he designed the Armenian Sanatorium of Azounieh in the Chouf region, a healthcare facility serving the Armenian community in Lebanon. That same period saw the completion of the Abu Bakr Al-Siddiq Mosque at the Port of Beirut and the Al-Daaouk Palace in Hamra. In 1942, he designed Asmahan Palace in Aley, and in 1947 the Church of the Paulist Fathers in Harissa. Other works he completed for the Armenian community in Lebanon included the Cathedral of Saint Gregory the Illuminator in Antelias (1939–1940). In 1946, he designed the Evacuation Stele (Lāwḥat al-Jalāʾ) at Nahr el-Kalb, north of Beirut, commemorating the withdrawal of all foreign troops from Lebanese territory on 31 December 1946, during the presidency of Bechara El-Khoury. == Work abroad ==

Toward the end of his career, Altounian designed the Melkonian Benefactors' Mausoleum at the Melkonian Educational Institute in Nicosia, Cyprus, in collaboration with the French-Armenian sculptor Léon Mouradoff. The mausoleum replaced an earlier wooden octagonal trellis monument erected by students in 1935. Its foundation stone was laid on 24 April 1954 by Bishop Ghevont Chebeyian, and the completed mausoleum was inaugurated on 15 January 1956. The white marble structure contains the remains of the brothers Krikor Melkonian (1843–1920) and Garabed Melkonian (1849–1934), tobacco traders from Egypt who were the principal benefactors of the institute. The mausoleum features marble engravings and bronze portrait busts of both brothers, and stands between the institute's two main historical buildings. == Legacy ==

Altounian died on 19 December 1958 in Beirut. His portrait was painted in 1946 by the Lebanese modernist painter Moustafa Farroukh and is held in the collection of the Sursock Museum in Beirut. As one of the foremost architects active in Lebanon during the French Mandate period, Altounian made a substantial contribution to the built environment of central Beirut at a formative moment in the city's history. == Selected works ==

File:Nahr el-Kalb Stela 3.jpg|Lawhat al-Jalaa commemorative stela File:Basilique Saint Paul (Harissa).jpg|Saint Paul Basilica in Harissa, Lebanon File:Downtown Beirut.jpg|Foch street and the Abu Bakr al-Siddiq mosque, Beirut File:Mausoluem of Melkonian Brothers in Nicosia.jpg|Melkonian brothers mausoleum in Nicosia File:Mardiros Altounian.jpg|Bust of Altounian at the Notre Dame University–Louaize, Lebanon == References ==