Margaret Barker (actress)

's 1927 varsity play. The daughter of Lewellys Franklin Barker and his wife Lillian Halsey Barker, Margaret T. Barker was born in Baltimore, Maryland on 10 October 1908. Her father was a physician from Canada who had come to the United States to join William Osler's clinic at Johns Hopkins Hospital (JHH) in 1892. He ultimately succeeded Barker as director of medicine and physician-in-chief at JHH in 1905. Her brother, William Halsey Barker, was also a physician of note, and a second brother, John, was institutionalized due to illness. She and Katherine became friends and in letters to each other Katherine would call her by the nickname "Beanie" and Margaret would call Katherine by the nickname "Kaydiddle". Other classmates at BMC included actresses Mildred Natwick and Eleanor Phelps. A lifelong learner, Barker later studied with Robert Lewis, founder of the Actors Studio in the early 1950s and attended the Royal Central School of Speech and Drama in 1954 where she studied with Cicely Berry. She took courses at Columbia University in 1957, and studied painting with Minoru Kawabata at The New School in the 1960s. She was also coached in Shakespeare repertoire by Helen Hayes. ==Early career in the theatre==

'' (1933) Barker's first appearance as a professional actress was performing for the Bachelor's Cotillion in Baltimore in 1926. John Howard Lawson's Success Story (1932–1933, as Miss Farley at Maxine Elliott's Theatre); Stanley Kimmel's Black Diamond (1933, as Laura at the Provincetown Playhouse); Henry and Sylvia Lieferant's Hilda Cassidy (1933 as Claire Cassidy at the Martin Beck Theatre) Sidney S. Kingsley's Men in White (1933–1934, as Laura Hudson at the Broadhurst Theatre); Melvin Levy's Gold Eagle Guy (1934–1935, as Jessie Sargent at the Morosco Theatre); Clifford Odets's Till the Day I Die (1935, as Tillie at the Longacre Theatre); Nellise Child's Weep for the Virgins (1935 as Mrs. Bean and Mrs. Carsons at the 46th Street Theatre), and Erwin Piscator and Lena Goldschmidt's Case of Clyde Griffiths (1936 as Sondra Finchley at the Ethel Barrymore Theatre). In 1937, Barker was dismissed from her position at the TG due to internal conflicts between warring factions in the organization; She portrayed the role of the secretary, Maggie Cutler, in this production with Taylor Holmes as Sheridan Whiteside. In 1941, she worked as the director of the apprenticeship program at the Hilltop Theatre in Ellicott City, Maryland where she also performed in several plays. ==Struggles with alcoholism and life during World War II==

Barker never married and did not have children. She struggled with alcoholism following the collapse of this relationship. She briefly served in the WAVES during World War II but her drinking problem led to her dismissal. She spent time getting sober and working in a factory operated by the Bendix Corporation in Baltimore for the remainder of the war. She later began associations with the Alcoholics Anonymous program and the Analytical Psychology Club of New York in the 1950s, both in support of her sobriety. ==Later career==

Stage work After a five year absence from the stage, Barker moved back to New York where she became active with the experimental theatre program of the American National Theater and Academy which was directed by Robert Schnitzer. She appeared in several production with this organization from 1947–1949; among them Miss Queen in John Finch's The Wanhope Building at Broadway's Princess Theatre in 1947. and Mrs. Wilkins in N. Richard Nash's See the Jaguar (1952, Cort Theatre) which starred James Dean. Her final Broadway appearance was as Constance Mercer in Dorothy Parker and Arnaud D'Usseau's The Ladies of the Corridor at the Longacre Theatre in 1953. Barker was also active as both an actress and director for Off-Broadway productions. She was a member of the Circle Repertory Company. The Diary of Anne Frank (1959, as Mrs. Frank), The Visit (1960, as Frau Schill), Look Homeward, Angel (1960, as Eliza Gant), The Dark at the Top of the Stairs (1960, as Cora Flood), Toys in the Attic (1961, as Anna Berniers), The Seagull (1962, as Polina Andreyevna), Cat on a Hot Tin Roof (1965, as Big Mama), The Three Sisters (1965, as Anfisa), The Subject Was Roses (1966, as Nettie Cleary), A Delicate Balance (1967, as Agnes), and Peer Gynt (1967, as Aase). In 1962, Barker's play A Moonlit Dome was staged at the Shirley Broughton Studio in New York City with a cast led by Charles Kimbrough. In the 1950s, Barker performed in several anthology television programs featuring television plays; beginning with a role in Three Letters on the Goodyear Television Playhouse program in April 1952. This was followed by the role of Aunt Gert in Horton Foote's A Young Lady of Property on The Philco Television Playhouse in 1953, and a role in Reginald Lawrence's The Atherton Boy on Kraft Television Theatre in 1954. She portrayed Alden Blaine in a television adaptation George Brewer Jr. and Bertram Bloch's 1934 play Dark Victory on the program ''Pond's Theater in March 1954. In 1955, she stared in the play Heart Song on Studio One, and in 1956 she portrayed Alice Sharrod in The Hat With the Roses on General Electric Theater. Other early television work included guest appearances on Danger'' (1951–1954), Barker made two appearances on the Camera Three anthology series in the early 1960s; appearing in the episodes "The Destroyer" (1960) and "A Simple Heart" (1961). She also appeared in the episode "The Hidden World" on the Armstrong Circle Theatre in 1960. In 1962, she was a guest star on Look Up and Live and The Defenders (1962). In 1964 she had a starring role in an episode of the primetime medical drama The Nurses. In 1966, she portrayed a Store Person in Stephen Sondheim and James Goldman's television musical special "Evening Primrose" on the program ABC Stage 67. Barker was a cast member of several soap opera; including portraying Grace Harris Tyrel on The Secret Storm in 1969–1970, Sophia Slocum on For Richer, For Poorer in 1977–1978 and Leueen Parrish on Another World in 1978–1979. She also appeared as a guest on the soap operas Love of Life and The Edge of Night (1970). From 1963 to 1973, she appeared in 61 episodes of the The Doctors. ==Later life and death==

In the 1950s and 1960 Barker was an active member of the Cosmopolitan Club, and director of several amateur drama productions put on by the group. In her later life from the 1970s onward, she divided her time between homes in Fairfield, Connecticut and Vers, France. Margaret Barker died of lung cancer on 3 April 1992 in New York City at the age 83. Her obituary stated that Ann Macfarlane was her longtime partner. Her personal paper are held in the New York Public Library archives. The archives mention both Macfarlane and the artist Halley Erskine as her companions. ==Notes and References==

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