Evangeline’s diverse practice includes large-scale site-specific installations using mirror-like surfaces. In these installations, viewers can find their reflections moving through bullet-marked environments of woods or water, with outcomes sometimes documented in Evangeline’s videos. The installations became linked with
environmental art, as the bullet-riddled mirror polished
stainless steel panels she is known for, began as a performance in either the woods, the
New Mexico landscape, or the sky, which are mirrored in the context of the artwork. In
New Orleans, she filled a cottage with fertile dirt from the
Mississippi River, which sprouted new growth from seeds she planted. As a process artist, her work began to evolve to include
autobiographical elements, which distinguishes her work from other process art. Her career-spanning
monograph was published by Charta in 2011. Including an essay by
Edward Lucie-Smith and an interview by Dominique Nahas. It was reviewed in
The Brooklyn Rail article 'Margaret Evangeline: Shooting Through the Looking Glass' Sabachthani, a book of photographs, essays and poetry centered around a project Evangeline carried out in collaboration with her son's military unit in Iraq, was also published by Charta in November 2012. == References ==