In 1962, Hood was awarded a
Danforth Fellowship at
Duke University. Her interest in musical instruments, especially harpsichords, began in the mid-1960s, through kits she completed for others. Through this work, she also became interested in historically appropriate harpsichord case and soundboard painting. In the 1970s she became a professional builder of her original designs for harpsichords, clavichords, and fortepianos, and was also an agent for Zuckermann Harpsichords. After researching museum instruments in Europe and the United States, she founded Margaret Hood Fortepianos, in Platteville, Wisconsin, in 1976. By the mid-1980s she was well known for her reproductions of 1803 and 1816 pianos by
Nannette Streicher, as well as her research and publications about Streicher, Beethoven and the instruments of his time. Her premature death left her extensive work on the Beethoven conversation books incomplete. Her last (unfinished) instrument was based on a Streicher fortepiano from 1816, before Nanette Streicher and her son Johann Baptiste became business partners. In addition, Hood wrote and published technical repair and maintenance manuals for both harpsichords and fortepianos. == Personal life ==