Margaret Sibley

Sibley was born in South Africa and raised in New York State. She did not begin to paint seriously until after her children were in school. While living in Paradise she designed and built two houses, worked as an interior decorator, and was active as a gardener, describing herself as a self-taught architect and landscape designer. ==Career==

Sibley began exhibiting in the 1950s. Her early work included realist and expressionist oil paintings; one portrait of a young boy won third prize at the Silver Dollar Fair in 1957, an example of the regional juried shows in which she participated. Seeking other artists, she placed an advertisement in the local newspaper inviting people interested in forming an art club to contact her. Meetings held in the Sibley living room led to the creation of Healdsburg Arts, an organization which later credited its beginnings to her initiative. As chair of the co-operative, she helped establish a venue where regional artists could exhibit paintings, sculpture and ceramics for sale or rent. The gallery used a jury system, kept shows changing, and offered low-cost rentals intended to make original art accessible to local residents. In 1965 the co-operative closed its Healdsburg premises and merged into the Redwood Empire Art Center in Santa Rosa. A 1966 profile described Sibley as a "serious modern painter" and noted that she had already held one-woman shows at the California Palace of the Legion of Honor, the Lucien Labaudt Gallery and the Quill Gallery in San Francisco, as well as exhibiting in programs such as the Northern California Annual and the Jack London Square Art Festival. Sibley continued to exhibit widely in regional banks, wineries and civic buildings. In 1971 she showed work at the First National Bank in Cloverdale, The latter article noted that she had held one-woman shows at the Palace of the Legion of Honor and the San Francisco Museum of Art (now the San Francisco Museum of Modern Art), and that she had been exhibiting for some 20 years. The article reported that she had been "plying her trade" for 25 years and had shown work in many notable exhibitions. ==Artistic style and themes==

Early in her career Sibley painted realistically, but she later said she had become "bored with complete realism" and moved toward abstraction with "a touch of surrealism". She often quoted Carl Jung's remark that "crystals and flowers are God's thoughts" and said that such ideas informed her work. Sibley admired Georgia O'Keeffe and cited her as an influence on works such as Portrait of a Leaf. Many of her acrylic paintings of the 1970s, including pieces titled Rocks and January Morning, were described as blending elements of realism and abstraction in pale, delicate tonalities. Complexity Series In the late 1970s Sibley developed a body of collage work she called the Complexity Series. Working painstakingly from photographs and reproductions in her collection of art journals, she cut images into vertical or horizontal strips and interspersed them with fragments from other sources. The resulting collages fused divergent forms, colours and concepts into what one reviewer called "complex accordion images sliding and diverging harmoniously along the picture plane, flickering and elusive". More than sixty of these acrylics and collages were included in her 1978 exhibition at the Santa Rosa City Council Chambers. ==Advocacy and community work==

Sibley saw the artist as a "functioning member of society" rather than an isolated figure and argued that artists had a responsibility to their communities. and in a 1967 interview remarked that "it is important to be creative—much more important than waging war", linking her art-making to wider hopes for peace. ==Legacy==

By the late 1980s Healdsburg Arts mounted a posthumous exhibition of Sibley's paintings and publicly stated that the organization "owed its beginnings" to her early efforts. ==See also==