Although Starbird's works have very little mention of a continuing sacred bloodline of descendants of Jesus and Mary Magdalen, which is a significant portion of the premises behind such books as
The Holy Blood and the Holy Grail, she did state in
The Woman With the Alabaster Jar that "there is evidence to suggest that the royal bloodline of Jesus and Mary Magdalen eventually flowed in the veins of the
Merovingian monarchs of France", and mistakenly claimed that the
fleur-de-lys was the royal emblem of
Clovis I (c. 466-511) and the "heraldic emblem of the Merovingian bloodline" – the symbol was a "
Capetian innovation, first employed by
Robert II of France before the science of
heraldry even existed." An anonymous twelfth century poem about the
Battle of Tolbiac (c.496) first claimed that Clovis replaced his toad-covered
buckler with the fleur-de-lys. Starbird's theories have been criticized for being based on medieval lore and art, rather than on historical treatment of the
Bible. Both
Darrell Bock and
Bart D. Ehrman have claimed that "There is no reference to Jesus' marriage or a wife in the Four Gospels" and, "There is no reference to Jesus' marriage or a wife in any other early Christian writing". Starbird's interpretation of the
Gnostic Gospels as suggesting an amorous relationship between Jesus and Mary Magdalen is not widely accepted amongst
Biblical scholars or
skeptics. The (non-canonical) Gospel of Philip states that Mary Magdalen was Jesus' "companion", that Jesus "loved her more than all his disciples", and that he "often kissed her on her [...]". The paragraph concerned describes Mary Magdalene as "barren" and being "the mother of the angels"; one scholar observed that the Gospel of Philip goes so far as to say "that marital relations
defile a woman.". Likewise, Starbird has claimed that the medieval
Cathars believed Jesus was married to Mary Magdelen, through an interpretation of the
Major Arcana of the
Tarot, but this is also disputed. Even if one were to acknowledge Starbird's interpretation of these, critics of
The Da Vinci Code such as
Robert M. Price have countered that no institutional continuity exists between 2nd century Gnostics and medieval Cathars, nor between the Cathars and the
Knights Templar as works such as
The Holy Blood and the Holy Grail have suggested. ==Works==