Paintings In the 1960s Worth was an abstract painter who worked in slabs and s-curves of bold and brilliant colours, on both flat and shaped canvases. Her first exhibition in Adelaide in the 1960s were of such paintings. The
National Gallery of Australia holds two paintings and several prints from Worth's
Samsara series that depicts her interpretation of
the Sanskrit word which refers to the cycle of death and rebirth. The series includes bands of pure colour that move rhythmically and mysteriously across shaped canvases.
Sculpture Worth evolved into a sculptor and installation artist. In 1988 an exhibition showed 'Forest Fragment' works made by using a pruning saw to carve polystyrene, a petroleum product, and coloured them with acrylic paints.
Emerging media Cross-disciplinary works brought Margaret Worth together with Bridgette Minuzzo, Heather Frahn and Lorry Wedding to collaborate on the presentation or an integrated and immersive installation about sound, water and energy waves. It comprised moving image, sound, cymatic wave effects, performance and objects.
In Collections Examples of her work are held in the National Gallery of Australia;
National Gallery Victoria;
Art Gallery of South Australia;
Art Gallery NSW;
Queensland Art Gallery GOMA as well as the
Cruthers Collection WA; Artbank, Australia;
Columbia University, New York, USA;
Flinders University SA;
Curtin University, WA;
Mornington Peninsula Regional Gallery Vic.,
New England Regional Art Gallery NSW;
Murray Bridge Regional Gallery SA;
University of South Australia Exhibitions Since 2004 Worth has appeared in 20 special projects and exhibitions.
Commissions and Permanent Installations == Awards ==