Married to the Mob

Angela de Marco is the beleaguered housewife of "Cucumber" Frank de Marco, an up-and-comer in the Long Island mob. She is fed up with her husband's criminal lifestyle, and annoyed by the other mob wives. During an argument with Frank, she demands a divorce, but is quickly rebuffed. Soon after, Frank is violently dispatched by his don Tony "The Tiger" Russo, when he is discovered to be also seeing the latter's mistress. Angela wants to escape the criminal underworld with her son, but is harassed by Tony, who puts the moves on her at Frank's funeral. This clinch earns her the suspicion of FBI agents Mike Downey and Ed Benitez, who are conducting surveillance, and also of Tony's wife Connie, who confronts Angela with accusations of stealing her husband. After Tony lavishes Angela and Joey with gifts, they move to a small apartment on the Lower East Side. He has his people track her down there. To complicate things, Downey is assigned to monitor Angela's movements as part of an undercover surveillance operation. He follows her around the city as she seeks employment, until he goes to wire her apartment. Downey, going by Mike Smith, sneaks out of Angela's before she can catch him plant a bug. Angela goes to a hairdresser’s and gets a job. Mike bumps into her in her building, and she asks him out. On Friday night, as they are on their date, Tony narrowly escapes a hit across town. Connie barges into Angela's looking for Tony but backs off upon finding Mike there. Angela explains to him that she'd tried to break away from the mob but they won't let her. Mike subtly destroys the bugs, as he cannot resist becoming romantically involved with Angela. In the morning, Mike's partner Ed gets him to leave, and the FBI raids the hairdresser’s. In their offices, Angela discovers that Mike is Agent Downey. After being threatened with prison, Angela agrees to help the FBI catch Tony. Angela visits Tony, convincing him she's interested, and gets invited with him on a trip to Miami. The jealous Connie follows, while Downey and Ed get on the same flight as Tony and Angela. Tony recognizes Downey in disguise at the hotel, as he's crossed paths with him more than a few times. Tony's henchmen bring him up to the suite, but just before they can do away with him and Angela, Connie bursts into the Miami Beach suite. After a climactic shootout, Angela punches out Connie and the FBI bursts in. Some time after Tony is convicted for murdering Karen and Frank, Downey convinces Angela to give him a second chance. ==Cast==

In addition, short cameo appearances include the film's director, Jonathan Demme, as a man getting off an elevator in Miami, and the film's music supervisor, Gary Goetzman, as the guy playing piano when the mobsters gather at the "King's Roost" restaurant. == Production ==

Demme called the film "a blatant attempt at a full-tilt, crassly commercial entertainment." However he also hoped "that if people liked the picture, part of their experience would be seeing this white person leave their comfortable, suburban, fully equipped home and become an absolute outsider." He added that "the subtle social message" of the movie "is that people of different races especially, and people in general, can benefit by reaching out to other people, and by being reached out to in turn." He had a different actor in mind to play Tony but changed his mind after seeing a photo of Dean Stockwell. Something Wild star Ray Liotta turned down the part of Frank. Filming took place on Long Island and Brooklyn, New York. The original cut was over three hours so numerous scenes were taken out. However outtakes from these appear in the end credits. == Music ==

The musical score was composed by David Byrne, after Demme directed the Talking Heads concert films Stop Making Sense. The film features the song "Goodbye Horses" by Q Lazzarus, which Demme would later use in The Silence of the Lambs. The opening credits use the Rosemary Clooney song "Mambo Italiano," which is not included in the film's official soundtrack. ==Reception==

Married to the Mob received a largely positive response from critics. On Rotten Tomatoes, the film holds an approval rating of 88% based on 49 reviews, with an average rating of 7.30/10. The site's critics consensus reads: "Buoyed by Jonathan Demme's intuitive direction and Michelle Pfeiffer's irresistible charisma, Married to the Mob is a saucy mix of broad comedy and gangster drama." On Metacritic, the film has a weighted average score of 71 out of 100, based on 15 critics, indicating "generally favorable reviews". Janet Maslin of The New York Times wrote that "Married to the Mob works best as a wildly overdecorated screwball farce... it also plays as a gentle romance, and as the story of a woman trying to re-invent her life." The Washington Post described the film as "all decked out in Godfather kitsch, but underneath its loud exterior, a complex heroine struggles for freedom." Variety called the film "fresh, colorful and inventive." Time Out wrote that although the film was "relentlessly shallow, the performances, music and gaudy visuals provide a fizzy vitality for which many other directors would give their right arm." Roger Ebert of the Chicago Sun-Times gave a more lukewarm review, but ended positively: "Still, Married to the Mob is loaded with wonderful offbeat touches... [and] most assuredly doesn't lack soul." Jonathan Demme's direction was praised for its idiosyncrasy. The New York Times called him "American cinema's king of amusing artifacts: blinding bric-a-brac, the junkiest of jewelry, costumes so frightening they take your breath away." Variety claimed the "enormous cast is a total delight, starting with Pfeiffer." The Washington Post called Pfeiffer a "deft comedian... It's her movie, and she graces it." Matthew Modine was "winning", according to Variety. Supporting players Dean Stockwell and Mercedes Ruehl also received praise for their performances. The Washington Post described Ruehl's character as "majestic in her jealousy, stealing scenes but never the show from the sweetly determined Pfeiffer." Maslin of The New York Times found that Pfeiffer and Modine were "readily upstaged by Miss Ruehl and, especially, by Mr. Stockwell. His shoulder-rolling caricature of this suave, foppish and thoroughly henpecked kingpin is the film's biggest treat." Variety described Stockwell as "a hoot." Awards and nominations ==Notes==