1A-
Autographic (Kodak junior), a type of camera that Effie Baker used when in
Haifa. In 1923, Baker travelled to Tasmania, Western Australia, and New Zealand along with Martha Root, a Baháʼí teacher and
Esperantist. When she wanted to visit the Baháʼí holy shrines at Haifa, Palestine she suffered from lead poisoning due to licking her paintbrushes. However, she continued on the pilgrimage in January 1925, hoping that the voyage by sea would cure her. After her pilgrimage she lived in England for six months. She then accepted an invitation from
Shoghi Effendi, The Guardian (head) of the Baháʼí Faith, to live in
Haifa, as hostess of a new hostel meant for Baháʼí pilgrims from western countries. While working there she made many friends. Shoghi Effendi liked her photographic work, and included the photographs she had taken of monument gardens on Mount Carmel and others in the Baháʼí yearbook. In 1930, at the request of Effendi, Baker toured incognito, mostly dressed in black
chador, to take pictures of the origins of the
Babí and Baháʼí religions. The travel in the
Middle East was then risky for women, and Baháʼís were subject to persecution. Under these conditions she travelled for 8 months between 1930 and 1931 and took a thousand pictures of locations and monuments related to the history of the Baháʼí Faith, in spite of lack of facilities and photographic materials; 400 of these pictures have been published. She had developed the films under moonlight and ensured that each picture was good before leaving that location. After this tour she returned to Haifa. Shoghi Effendi included some of the photographs taken by her as part of his book
The Dawn-Breakers (1932), which was a translation of
Nabíl-i-Aʻzam's book on the religions' origins. == Return to Australia and later life ==