Vaudeville In 1905, Martin Branner was an assistant to two men who booked
vaudeville acts. He was a dancer who met Edith Fabbrini (1892–1966) when he was 18 and she was 15. They married a few days after they met, and the couple then entered vaudeville as a dance team. Billed as
Martin and Fabbrini, they spent 15 years performing in stock, musical comedy and vaudeville on the
Keith Orpheum and
Pantages circuits. In Manhattan, Martin and Fabbrini played the Palace Theater the second week it opened, and they often made return engagements. Some of Branner's earliest artwork was published during this period when he did advertising illustrations for
Variety. Two shows a day sometimes increased to three and more shows daily, but bookings for the dance team became fewer during and following
World War I.
World War I and a career transition Branner served his
World War I military duty with the
Chemical Warfare Service of the U.S. Army. On his return after World War I, he left vaudeville and launched a new career as a cartoonist in 1919, beginning with a short-lived strip,
Looie the Lawyer, for the
Bell Syndicate. He followed with a
Sunday page,
Pete and Pinto, which ran for 20 weeks in the
New York Herald and
The Sun.
Winnie begins Branner launched
Winnie Winkle the Breadwinner as a
daily strip in September 1920, followed by a Sunday page in 1923. Edith Branner served as the model for the character of Winnie Winkle. Branner's 1934 to 1936 assistant was the French cartoonist
Robert Velter. By 1939,
Winnie Winkle the Breadwinner was printed in 125 newspapers in America and Europe for a combined circulation of more than eight and a half million. The title was shortened to
Winnie Winkle in 1943. After Velter, Branner's long-time assistant was Max Van Bibber, who took over
Winnie Winkle after Branner suffered a stroke in 1962. Following the stroke, Branner began to use a wheelchair. Without the use of his right hand, he continued to draw with his left. == Personal life ==