Personal life Saryan was born into an Armenian family in
Nakhichevan-on-Don (now part of
Rostov-on-Don,
Russia), where
Armenians from Crimea lived. He was the seventh child of Sargis Saryan and Ustian Chiligaryan. He received early education from his eldest brother, Hovhannes Saryan, who taught him Armenian and Russian writing and basic math. |196x196px During one of his travels in Tbilisi, he met his future wife, Lusik Aghayan, the daughter of famous Armenian writer
Ghazaros Aghayan. He immediately fell in love with her and married her a year later, on April 17, 1916. Together they had two sons, Sargis Saryan and Ghazaros Saryan. Lusik is said to have been Saryan's one and only romantic partner. His former home in Yerevan is now a museum dedicated to his work with hundreds of items on display. He was buried in Yerevan at the Pantheon next to
Komitas Vardapet. His son
Ghazaros (Lazarus) Saryan was a composer and educator. His great-granddaughter
Mariam Petrosyan is also a painter, as well as a cartoonist and award-winning novelist.
Travels and Inspirations Saryan's artistic journey evolved as he began traveling extensively. He first visited
Armenia, then part of the
Russian Empire, in 1901, visiting
Lori,
Shirak,
Echmiadzin,
Haghpat,
Sanahin,
Yerevan and
Sevan. Saryan started his artistic research aiming for an inspiration from his homeland, which he was seeing for the first time. In 1903, after he graduated from the Moscow School of Painting, Sculpture, and Architecture, he traveled to Armenia again, visiting
Ani,
Goshavank,
Haghpat,
Sanahin, and Gharakilisa (now
Vanadzor), before also traveling to Georgia. From 1928 until his death, Saryan lived in Soviet Armenia. With traveling and being inspired by the places and people he met, Saryan created around 4000 artworks in his lifetime.
Education and Career Saryan studied at the New Nakhichevan Russian-Armenian College for six years, completing his education there in 1895 at the age of 15. He composed his first landscapes depicting Armenia:
Makravank, 1902;
Aragats, 1902;
Buffalo. Sevan, 1903;
Evening in the Garden, 1903;
In the Armenian village, 1903, etc., which were highly praised in the Moscow press. Following the
Bolshevik seizure of power in 1917, he went with his family to live in
Russia. Saryan permanently moved to Armenia after the establishment of
the Armenian Soviet Socialist Republic. banknote In the 1930s, during Stalin's
Great Purge, many Soviet intellectuals were considered "enemies of the state." Many of Saryan's works, including portraits of famous Armenian writers and artists, were taken from the
National Gallery of Armenia and burned. However, one of the works that was supposed to be destroyed was in a different museum and survived. That work was the portrait of
Yeghishe Charents, an Armenian poet, writer, and public activist. During those years, he mainly devoted himself again to landscape and portrait painting. He was also chosen as a deputy to the
Supreme Soviet of the Soviet Union and was awarded the
Order of Lenin three times along with other awards and medals. He was a member of the USSR Art Academy (1974) and
Armenian Academy of Sciences (1956). In 1966, Saryan signed a petition supporting the unification of
Nagorno-Karabakh with Soviet Armenia, alongside
Yervand Kochar,
Paruyr Sevak,
Hamo Sahyan, and other major Armenian cultural figures. In 1939, Saryan designed the set and costumes for "
Almast" by
Alexander Spendiaryan, the first opera staged in Armenia. Starting in 1916, Spendiaryan, Saryan, and Armenian writer
Hovhannes Tumanyan began to work on the opera. Tumanyan inspired Spendiaryan to create the opera based on his poem "The Capture of
Fort Tmuk." Saryan agreed to design the entire set, decorations, and costumes for it. In around 80 years of creative career, Saryan worked with different genres as a painter, graphic artist, book illustrator, theater set, and monument panel designer. ==Gallery==