Her work includes many portraits, esoteric landscapes, compositions of religious or biblical inspiration, but also large scenes paying tribute to the Belgian folklore. Habsch participated in many artists' collectives, such as: The Royal Association of Professional Artists of Belgium (since 1973), the Gryday group (since 1977), The Association of Artists of the Commune of
Forest (Brussels), The Friends of
Thomas Owen, The Association "Les Amis du ça m'dit" (1996-1998), The Federation of Woman Artists of Belgium. Her works are included in the national collection of Belgium: the
Royal Museums of Fine Arts in Brussels owns "Vestaceram" (c. 1956) a diptic representing two woman workers in a ceramic factory, and "Tristesse" (c. 1960) a self-portrait of the artist with her father in a café of Vilvoorde. Mary Habsch has also works in the collections of the
Brussels' city museum Maison du Roi, the
Musée d'Ixelles and the Musée M of the
University of Louvain-la-Neuve. == References ==