While Shiki is best known as a haiku poet, prose criticism of poetry, and was a short prose essayist.) Contemporary to Shiki was the idea that traditional Japanese poetic short forms, such as the
haiku and
tanka, were waning due to their incongruity in the modern
Meiji period. Shiki, at times, expressed similar sentiments. There were no great living practitioners although these forms of poetry retained some popularity. Despite an atmosphere of decline, only a year or so after his 1883 arrival in Tokyo, Shiki began writing haiku. In 1892, the same year he dropped out of university, Shiki published a
serialized work advocating haiku reform,
Dassai Shooku Haiwa or "Talks on Haiku from the Otter's Den". These were followed by other serials:
Meiji Nijūkunen no Haikukai or "The Haiku World of 1896" where he praised works by disciples
Takahama Kyoshi and Kawahigashi Hekigotō,
Haijin Buson or "The Haiku Poet
Buson" (1896–1897 and
Utayomi ni Atauru Sho or "Letters to a Tanka Poet" (1898) where he urged reform of the
tanka poetry form. Bedsore and morphine-addled, little more than a year before his death Shiki began writing sickbed diaries. These three are
Bokujū Itteki or "A Drop of Ink" (1901),
Gyōga Manroku or "Stray Notes While Lying on My Back" (1901–1902), and
Byōshō Rokushaku or "A Sixfoot Sickbed" (1902). ==Later life==