Jonathan Jones wrote in an interview with the artist in
The Guardian of Collishaw's 2013 exhibition at
Arter, Istanbul; 'A show that foregrounds his political conscience in powerful works such as
Last Meal on Death Row. For me, Collishaw is a good political artist for the same reason he is a good religious artist and a good artist-artist. It is because he believes in the efficacy of images. Not for him the abstract evasion, the minimalist half smile... he wants to punch your imagination in the stomach. He justifies the art of sensation by showing how it can have depth in its oomph.' Collishaw's artwork,
All Things Fall, received a positive review from
The Sunday Times art critic
Waldemar Januszczak, who called it "... a remarkable re-creation of the Massacre of the Innocents, the biblical murder of every newborn boy ordered, at Christmas, by Herod. The sudden burst of unexpected violence is brilliantly paced, brilliantly achieved, in an artwork that is nothing less than a contemporary masterpiece." The exhibition
The Centrifugal Soul, at Blain|Southern Gallery, London in 2017 received praise from critic
Gaby Wood, who wrote for
The Telegraph, "... the fact that he can convert such abstract ideas into works that are elegant and entertaining makes him, uniquely among artists and thinkers so far this century, a cross between an aesthetic philosopher and a magician." Collishaw's first venture into VR, with his exhibition
Thresholds in 2017, was reviewed by Laurie Taylor for
frieze Magazine: "Collishaw has not recreated an historical experience, but has instead constructed an entirely new one. The end product is ultimately Collishaw's vision and it teems with the reverence he has not only for the wonder of photography, but also for the power of its illusions." ==Influences==