The Matsu dialect has 17 initials, 46 rimes and 7 tones, as reported by Tu (2006) based on elderly informants from
Beigan:
Initials // and // exist only in connected speech.
Rimes There are 46 rimes in the Matsu dialect. Many rimes come in pairs: in the table above, the one to the left represents a close rime (), while the second represents an open rime (). The close/open rimes are closely related with the tones (
see below).
Tone These tones in isolation are as reported by Tu (2006), and use the historic names from
Middle Chinese:
The relationship between tone and rime In the Matsu dialect, both the level tones (), rising tone () and the light entering tone () should be read using 'close rimes' (); both departing tones () and the dark entering tone () should be read with 'open rimes' (). The closeness or openness of the rime refers to the
height of the vowel. For example, the vowel phoneme transcribed in
Bàng-uâ-cê as "" has two pronunciations, // as a close rime and // as an open rime; the entering tone equivalent "" has two pronunciations, close rime // and open rime //. This is summarized in the following table: Thus, in a close rime tone such as dark level "" should be pronounced as instead of ; and in the open rime tone of light departing "" should be pronounced as instead of .
Sandhi and assimilation Tone sandhi The Matsu dialect has extremely extensive
tone sandhi rules: in an utterance, only the last syllable pronounced is not affected by the rules. The two-syllable tonal sandhi rules are shown in the table below (the rows give the first syllable's original citation tone, while the columns give the citation tone of the second syllable): In the table above, "dark entering A" means a dark entering coda that ends with , "dark entering B" refers to ending with . In the modern spoken language, the final plosive is difficult to distinguish in isolation, having merged into , but the two categories exhibit different behaviors from each other in tone sandhi environments. This feature is shared with many modern
Eastern Min varieties, such as in Fuzhou. Like the
Fuzhou dialect, the tonal sandhi rules of more than two syllables display further complexities.
Initial assimilation The two-syllable initial
assimilation rules are shown in the table below:
Rime tensing In the Matsu dialect, if the rime type of the former syllable is changed while
tone sandhi occurred, the rime of the former syllable should be changed to adapt
the rule of close/open rimes. For example, "" is a syllable which has dark departing tone, it's an open rime; "" has a dark level tone. When combined as the phrase "" (technician), "" changes its tonal value to rising tone. Rising tone is a close rime tone, therefore the pronunciation as a whole is . ==Notes==