Recognition DJ
Paul Gambaccini said: "Maurice was the talented multi-instrumentalist, I mean here is a guy who played keyboards, guitar, bass and percussion." Bruce Eder of
AllMusic declared the track "Back Home" had "the loudest guitar ever heard on a Bee Gees record". In the reunited Bee Gees from 1987 onward, Gibb was the group's resident expert on all technical phases of recording, and co-ordinated musicians and engineers to create much of the group's sound.
Instrumentalist He contributed the electric and acoustic guitars and the
Hammond organ on the debut Bee Gees album
The Bee Gees Sing and Play 14 Barry Gibb Songs (1965). After that, he commenced his bass playing on the following album
Spicks and Specks (1966). He focused on the bass and the keyboards after
Vince Melouney had joined as the group's lead guitarist in 1967. In terms of his proficiency at the guitar, he played lead guitar on "
Country Woman" (1971) and the three
2 Years On (1970) tracks: 1. "Back Home", 2. "Lay It on Me" and 3. "Every Second, Every Minute" in addition to rhythm guitar on Bee Gees tracks. As for his experience as a keyboardist, he performed the piano or the keyboard during live performances besides studio recordings. The songs "
Words" (1968), "
Lonely Days" (1970) and "
How Can You Mend a Broken Heart" (1971) were the frequent numbers at Bee Gees concerts. Other keyboards such as the
harpsichord on "
I Can't See Nobody" (1967),
Mellotron on "
Every Christian Lion Hearted Man Will Show You" (1967) and
Moog synthesizer on "Sweet Song of Summer" (1972) were the evidence to prove his technical-savvy talent for different keyboards. From 1966 to 1974, his main instrument was the guitar, the bass and the piano or the keyboard. From 1975 to 1979, he primarily played the bass for an experiment in creating distinctive syncopated funk bass lines for the foundation of Bee Gees' driving disco sound. Meanwhile, he often performed the guitar during live performances. From 1987 onwards, he preferred the keyboards or the synthesisers more than the guitar or the bass. His first and only drumming for the Bee Gees was on the
Cucumber Castle track "My Thing" (1969). He once used the guitar given by
John Lennon on the song "She Keeps On Coming" (2001). In a continuity link for the song on the Top Of The Pops 2 special, in support of the album
This Is Where I Came In Robin mentioned Lennon's guitar and Maurice confirmed it was his
Epiphone. Some articles say it was Lennon's acoustic guitar on the song "This Is Where I Came In".
Vocals On average, Maurice sang lead on one or two songs for each album and he was the lead vocalist on some Bee Gees tracks including "
On Time", "
Lay It on Me", "
Closer Than Close", and his last song "
Man in the Middle". His first composition is "
All by Myself" recorded in 1966 but not released until 1970 on
Inception/Nostalgia. On the Bee Gees' live performances of "
Nights on Broadway", Maurice sang falsetto rather than Barry who originally sang falsetto on the studio recording. He also showcases his vocal talent on his unreleased LP
The Loner. His comic personality shone on stage during Bee Gees concerts when the brothers would perform an acoustic medley. Many times, Maurice would mock Robin while he was singing or pretend he was bored during the song "
Holiday" (Maurice did not sing on the original record), among other things.
Songwriting As a songwriter, Gibb contributed primarily to melody, with his brothers writing the lyrics that they would sing on the finished song (for the most part). It is difficult to identify his contributions because the songs were so shaped to the singer, but his brothers' continued writing collaboration with him on solo projects shows how much they relied on him. He was sometimes known as "the quiet one" for his less obvious contributions to the group, but privately he was a good teller of stories, who immensely enjoyed talking with fans. His reputation as a mild-mannered, stabilising influence with two very ambitious brothers continued through his life.
Studio collaborations In 1966, Gibb became a session musician in Australia for other artists including Bip Addison, Anne Shelton, April Bryon, Barrington Davis and singer Jon. Around 1970, Gibb played piano on
George Harrison's song "
Isn't It a Pity" as a part of his first triple solo album,
All Things Must Pass. In the recording studio he met
Genesis'
Phil Collins,
Phil Spector,
Ringo Starr,
Billy Preston and
Harrison. In 1971, he produced
Lulu's 1971 song "
Everybody Clap", which features Gibb on guitar, Leslie Harvey on guitar, former
Manfred Mann and
Cream member
Jack Bruce on bass, and
Led Zeppelin's
John Bonham on drums. Bonham and his wife, Pat Philips became friends with Gibb and Lulu. Also in that year, he played bass on Billy Lawrie's 1973 song "Freedom". Future
Wings and former
Thunderclap Newman guitarist
Jimmy McCulloch played guitar on that song, and McCulloch suggests that it was recorded at around the same time as Lulu's "Everybody Clap", with Stone the Crows'
Maggie Bell providing backing vocals. On 17 January 1972, Gibb produced, with Billy Lawrie, "Baby Come on Home", released as a single also in that year. In April 1972, Gibb produced
Jimmy Stevens' album ''
Don't Freak Me Out (called Paid My Dues
in US). The same year, Gibb produced Drift Away'', an album released by Bob Saker and Mike Berry; it includes a cover version of "On Time". In 1973, Gibb produced and played bass on Jimmy Stevens' unreleased numbers with musicians
Alan Kendall, Jimmy McCulloch, Pete Willsher,
Zoot Money and singer
Paul Jones. In August 1973, Gibb participated on
Andy Gibb's first recording session, performing two new songs. In 1978, Gibb produced with Steve Klein the
Osmonds' album ''Steppin' Out'', which features a cover version of the Bee Gees' "
Rest Your Love on Me". Also in 1978, Gibb composed "The Love That Was Lost", with
Blue Weaver on keyboard and arranged by Mike Lewis, who also arranged for the disco group
KC and the Sunshine Band. In 1980, Gibb co-wrote with
Tim Rice "Last Affair of the Heart", which was recorded by
Elaine Paige at AIR Studios in London along with "Secrets" and "Carried Away". In 1982, Gibb took part in Barry's original demo recording of the song "
Eyes That See in the Dark", a song intended for
Kenny Rogers'
album of the same name. In August 1982, Gibb wrote and recorded "Spirit of the Snow" and intended for the film
A Christmas Carol. Gibb worked with Robin on his three albums
How Old Are You? (1983),
Secret Agent (1984) and
Walls Have Eyes (1985). Gibb co-wrote "
Shine, Shine" with his brother Barry and keyboardist George Bitzer, the song later became a Top 40 for Barry in the US. In 1985, Gibb sang background vocals on
Larry Gatlin's songs "Indian Summer", available on Gatlin's album
Smile with Gatlin and
Roy Orbison on lead vocals; another track "Didn't We Call It (Falling in Love)" was not released. In 1986, Gibb produced
Carola's album
Runaway. Also in 1986, Gibb participated on the Bunbury songs "Up the Revolution", "Fight (No Matter How Long)", "Bunbury Afternoon" and "Seasons". One of Gibb's last recordings was on the demo of "I Cannot Give You My Love" on which he played keyboards with his brother Barry taking the lead vocals. The song was intended for
Cliff Richard. == Personal life ==